Programme of the colloquia : from Xenakis to the present: the Continuum in music and architecture (University of Cyprus, 2016)

Continuum_Chypre_2016_06_13.pdf

Titre

Programme of the colloquia : from Xenakis to the present: the Continuum in music and architecture (University of Cyprus, 2016)

Description

Since the Classical era and the Middle Ages, and in particular since Plato’s Timeus, the concept of continuum has preoccupied thinkers. In the early 20th century, this notion was reactivated by the theory of relativity as well as other theories such as the uncertainty principle, changing our perception of the world, and consequently artistic discourse. Even if this upheaval corresponded to technological advances on the one hand and the collapse of the romantic model on the other hand, it was only around the middle of the 20th century that artists adopted these new physical and metaphysical concepts, prompting new creative tools, especially in music and architecture.

Date

2016-06-13
2016-06-14

Éditeur

Centre Iannis Xenakis

Droits

Licence Creative Commons
Ce(tte) œuvre est mise à disposition selon les termes de la Licence Creative Commons Attribution - Partage dans les Mêmes Conditions 4.0 International

Format

Fichier numérique, pdf

Langue

en

Type

text

Couverture

||||osm
Chypre

Collection

Ephemera

Mots-clés

,

Citer ce document

Centre Iannis Xenakis, “Programme of the colloquia : from Xenakis to the present: the Continuum in music and architecture (University of Cyprus, 2016),” Centre Iannis Xenakis., consulté le 14 décembre 2024, https://centre-iannis-xenakis.org/items/show/4116.

Relations entre contenus

Ce contenu frbr:partOf Item: Programme du colloque : Le continuum & son développement en musique et en architecture
Item: Researching the Philosophy, Music, and Being of Xenakis’ Work from the I Ching Perspective frbr:partOf Ce contenu
Item: The genesis of structure: A narrative description of F. Romitelli’s Yellow, Green and Blue frbr:partOf Ce contenu
Item: Musico-Spatial Design Research within the Continuum of Performance, Practice and the Academy frbr:partOf Ce contenu
Item: Sound and Homeomorphisms frbr:partOf Ce contenu
Item: Giacinto Scelsi's "Imprint" on the Continuum frbr:partOf Ce contenu
Item: Are Noise and Silence Part of the Same Continuum? frbr:partOf Ce contenu
Item: Reinventing the sense of continuity in urban structure through pauses frbr:partOf Ce contenu
Item: Xenakis's Transfer: The transdisciplinary compositional thinking as an inference-transfer process. frbr:partOf Ce contenu
Item: Andrew Norman's The Companion Guide to Rome: Influence of Architecture and Visual Art on Composition frbr:partOf Ce contenu
Item: The Allography machine frbr:partOf Ce contenu
Item: On collaboration, sound and inspiration: insight into the composer’s sound world and collaborative method of composing frbr:partOf Ce contenu
Item: Out of the Flames frbr:partOf Ce contenu
Item: The Sound of These Waves frbr:partOf Ce contenu
Item: Granulation and layering: Xenakis's Polytopes and Moholy Nagy's Light-Space Modulator frbr:partOf Ce contenu
Item: Diakopès: historicizing continuum in the work of Iannis Xenakis frbr:partOf Ce contenu
Item: The Polytope of Mycenae (1978) / I. Xenakis: structuring the space of the past through a futuristic architectonic approach frbr:partOf Ce contenu
Item: Practice Walk frbr:partOf Ce contenu

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