<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://centre-iannis-xenakis.org/items/show/4103">
    <dcterms:title><![CDATA[Sound and Homeomorphisms]]></dcterms:title>
    <dcterms:title><![CDATA[Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Architecture+--+20e+si%C3%A8cle">Congrès et conférences - Architecture -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Congr%C3%A8s+et+conf%C3%A9rences+-+Musicologie+--+20e+si%C3%A8cle">Congrès et conférences - Musicologie -- 20e siècle</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Continu+%28philosophie%29">Continu (philosophie)</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[There is a superficial, and yet fundamental paradox at the core of Xenakis&#039; work: whilst being the creator of atomised sound (granular synthesis) he was also preoccupied with sound&#039;s continuity; or later on his career, while he openly promoted the techniques offered by digital synthesis (i.e. UPIC) he was critical of harmonic analysis and the synthesis derived from Fourier Transforms. <br />
<br />
At a first glance, these positions may appear incompatible and incommensurable, but considering Xenakis&#039; full awareness of the implicit problems in the aforementioned domains, this presentation would like to argue for possible ways that this fissure is in fact justifiable, by alluding to topological operations that reconcile the analog and the digital. <br />
<br />
More specifically, the argument will mainly be exemplified in a transdisciplinary way by presenting personal work, in which rendered images taken from a parametrically designed piece of marble (designed by Arch-T) were used to as a compositional tool. The operations to and from the rendered images to the raw sound can be loosely defined mathematically as topological homeomorphisms. <br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Vasquez+Hadjilyra%2C+Oswald+Emiddio.+Conf%C3%A9rencier">Vasquez Hadjilyra, Oswald Emiddio. Conférencier</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=European+University+of+Cyprus">European University of Cyprus</a>]]></dcterms:creator>
    <dcterms:source><![CDATA[Un fichier numérique uniquement]]></dcterms:source>
    <dcterms:publisher><![CDATA[Centre Iannis Xenakis]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[European University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University of Cyprus]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Université de Rouen]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[École nationale supérieure d&#039;architecture de Normandie (Darnétal, Seine-Maritime)]]></dcterms:publisher>
    <dcterms:date><![CDATA[2016-06-14]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Economou%2C+Athanassios.+Mod%C3%A9rateur">Economou, Athanassios. Modérateur</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kanach%2C+Sharon+%281957-....%29.+Intervenante">Kanach, Sharon (1957-....). Intervenante</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Sammoutis%2C+Evis.+Intervenant">Sammoutis, Evis. Intervenant</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Novak%2C+Marcos.+Intervenant">Novak, Marcos. Intervenant</a>]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>]]></dcterms:rights>
    <dcterms:format><![CDATA[Fichier vidéo numérique, .mp4]]></dcterms:format>
    <dcterms:language><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=44&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=en">en</a>]]></dcterms:language>
    <dcterms:type><![CDATA[moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=43&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=http%3A%2F%2Fwww.centre-iannis-xenakis.org%2Fitems%2Fshow%2F4103">http://www.centre-iannis-xenakis.org/items/show/4103</a>]]></dcterms:identifier>
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