1 400 1 https://centre-iannis-xenakis.org/files/original/f580f21884c093f83f5d0bd95e9c0112.mp4 3e5cf4280b32ecbcba2970aaf5bb205a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 123 minutes 12 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Allography machine Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Economou, Athanassios. Conférencier European University of Cyprus Contributor An entity responsible for making contributions to the resource Novak, Marcos. Modérateur Kavallaris, Faidros. Intervenant Sammoutis, Evis. Intervenant Lieberman, David. Intervenant Lanzilotti, Anne. Intervenant Parthenios, Panagiotis. Intervenant Vasquez Hadjilyra, Aswaldo Emiddio. Intervenant Kanach, Sharon (1957-....). Intervenante Hadjichristos, Christos. Intervenant Chatzopoulou, Nicoleta. Intervenant Kavallaris, Faidros. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource Architectural and music computational models have profoundly affected the ways we describe, interpret and evaluate existing architectural and musical works as well as the ways we design new works in both domains. Two aspects of these computational models – representation and process (rules) are considered here to foreground similarities and differences between the two art worlds. A new computational model, the allography machine, is considered in the end as an rule-based visual tool for making graphical/spatial compositions in both domains. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-14 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4111 Architecture Computational models Music process Representation