1 400 82 https://centre-iannis-xenakis.org/files/original/6158a27c8f9b69fcbd2c27c668fb1539.doc 5bd466e50164ea0a1afbc20cd1cb4d99 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CIX_Fonds_RobertDupuy_Polytope_Interview_Juin 2013 .doc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Robert Dupuy, Polytope de Cluny, word document, interview Teige Dupuy june 2013] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Robert Dupuy Date A point or period of time associated with an event in the lifecycle of the resource 06.2013 Language A language of the resource en Zotero Title [Robert Dupuy, Polytope de Cluny, word document, interview Teige Dupuy june 2013] Item Type Document Author Robert Dupuy Date 06.2013 Archive Location CIX_Server_Fonds_Robert_Dupuy Language en Abstract Note This document is part of the Robert Dupuy Fonds. Robert Dupuy worked on Polytope de Cluny version 1 as the main programmer. Attachment Title CIX_Fonds_RobertDupuy_Polytope_Interview_Juin 2013 .doc cluny flash lights lasers polytope robert dupuy https://centre-iannis-xenakis.org/files/original/83d229d0a9286173abb2e51406b6373a.docx b7b0b90d9d9944737be023aa9eb9c5ed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CIX_Fonds_RobertDupuy_Polytope_Inventaire Fonds_Robert_Dupuy.docx Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Robert Dupuy, Polytope de Cluny, word document, inventary Fonds Robert Dupuy] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Sharon Kanach Date A point or period of time associated with an event in the lifecycle of the resource 28.03.2013 Language A language of the resource en Zotero Title [Robert Dupuy, Polytope de Cluny, word document, inventary Fonds Robert Dupuy] Item Type Document Author Sharon Kanach Date 28.03.2013 Archive Location CIX_Server_Fonds_Robert_Dupuy Language en Abstract Note This document is part of the Robert Dupuy Fonds. Robert Dupuy worked on Polytope de Cluny version 1 as the main programmer. Attachment Title CIX_Fonds_RobertDupuy_Polytope_Inventaire Fonds_Robert_Dupuy.docx cluny flash lights lasers polytope robert dupuy https://centre-iannis-xenakis.org/files/original/28f73ab6ad8ca1009b918cfe3b55d18c.pdf abc3f94ff38ed6c5f6d08dfefe2257b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Takahashi - 1961 - Fonds Aki Takahashi, handwritten interview between.pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Aki Takahashi, handwritten interview between Xenakis and Aki Takahashi] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Aki Takahashi Date A point or period of time associated with an event in the lifecycle of the resource 1961 Language A language of the resource en Zotero Title [Fonds Aki Takahashi, handwritten interview between Xenakis and Aki Takahashi] Item Type Document Author Aki Takahashi Date 1961 Archive Location Autre_Fonds/Fonds Aki Takahashi Language en Abstract Note This document is part of the Aki Takahashi Fonds. Attachment Title Takahashi - 1961 - Fonds Aki Takahashi, handwritten interview between.pdf https://centre-iannis-xenakis.org/files/original/7876a6f2edf9fe04897524f87cc2026b.png e10592f09b575e0a9213a6de42af7212 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kuni & Iannis 1.png Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Aki Takahashi, photo of Xenakis and Aki Takahashi] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Aki Takahashi Language A language of the resource en Zotero Title [Fonds Aki Takahashi, photo of Xenakis and Aki Takahashi] Item Type Document Author Aki Takahashi Archive Location Autre_Fonds/Fonds Aki Takahashi Language en Abstract Note This document is part of the Aki Takahashi Fonds. Attachment Title Kuni & Iannis 1.png https://centre-iannis-xenakis.org/files/original/fbc597573b331145d3e5809ce4794d9c.png 5d437bfe381186508c76ba962719b6a6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Xenakis letter to Aki Tin English 1973.png Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Aki Takahashi, handwritten letter by Xenakis to Aki Takahashi] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Iannis Xenakis Language A language of the resource en Zotero Title [Fonds Aki Takahashi, handwritten letter by Xenakis to Aki Takahashi] Item Type Document Author Iannis Xenakis Archive Location Autre_Fonds/Fonds Aki Takahashi Language en Abstract Note This document is part of the Aki Takahashi Fonds. Attachment Title Xenakis letter to Aki Tin English 1973.png https://centre-iannis-xenakis.org/files/original/5ec811bdb78ac4a85cefc4e3f6eab5b0.png 5fbf407e23523b8211507f13ba0deae3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yuji & Iannis (2).png Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Aki Takahashi, photo of Xenakis and Aki Takahashi,2] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Aki Takahashi Language A language of the resource en Zotero Title [Fonds Aki Takahashi, photo of Xenakis and Aki Takahashi,2] Item Type Document Author Aki Takahashi Archive Location Autre_Fonds/Fonds Aki Takahashi Language en Abstract Note This document is part of the Aki Takahashi Fonds. Attachment Title Yuji & Iannis (2).png https://centre-iannis-xenakis.org/files/original/1c53fe9accc80e6006b5efdea0a9a28b.png de37f06c72fe3bc4335ddf3b05facd70 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Xenakis flyer (2).png Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Aki Takahashi, printed flyer for Xenakis CEMAMU Event] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Aki Takahashi Date A point or period of time associated with an event in the lifecycle of the resource 25.5.1985 Language A language of the resource en Zotero Title [Fonds Aki Takahashi, printed flyer for Xenakis CEMAMU Event] Item Type Document Author Aki Takahashi Date 25.5.1985 Archive Location Autre_Fonds/Fonds Aki Takahashi Language en Abstract Note This document is part of the Aki Takahashi Fonds. Attachment Title Xenakis flyer (2).png https://centre-iannis-xenakis.org/files/original/552976d40c1600b12f61d1e038841f37.png 72205a09729fa5600f557e09aac3a926 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Xenakis workshop 2 (2).png Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Aki Takahashi, printed flyer for Xenakis UPIC Event in Japan] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Aki Takahashi Date A point or period of time associated with an event in the lifecycle of the resource xx Language A language of the resource en Zotero Title [Fonds Aki Takahashi, printed flyer for Xenakis UPIC Event in Japan] Item Type Document Author Aki Takahashi Date xx Archive Location Autre_Fonds/Fonds Aki Takahashi Language en Abstract Note This document is part of the Aki Takahashi Fonds. Attachment Title Xenakis workshop 2 (2).png https://centre-iannis-xenakis.org/files/original/f5a427fc61a839631f0da1fd58a790ac.png 0feb2581add8c0604a8844e08764ae31 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kuni & Iannis 2 (2).png Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Aki Takahashi, photo of Xenakis and Aki Takahashi,3] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Aki Takahashi Language A language of the resource en Zotero Title [Fonds Aki Takahashi, photo of Xenakis and Aki Takahashi,3] Item Type Document Author Aki Takahashi Archive Location Autre_Fonds/Fonds Aki Takahashi Language en Abstract Note This document is part of the Aki Takahashi Fonds. Attachment Title Kuni & Iannis 2 (2).png https://centre-iannis-xenakis.org/files/original/d024a4a9ed1fa87f3f0769a28a6f7d22.JPG ffda5bc5e311fb29184a9b7a5ddbec48 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource HERMA_AKI_DEDICACE.JPG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Aki Takahashi, photo of frontpage of Herma score, autographed by Xenakis for Aki] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Aki Takahashi Language A language of the resource en Zotero Title [Fonds Aki Takahashi, photo of frontpage of Herma score, autographed by Xenakis for Aki] Item Type Document Author Aki Takahashi Archive Location Autre_Fonds/Fonds Aki Takahashi Language en Abstract Note This document is part of the Aki Takahashi Fonds. Attachment Title HERMA_AKI_DEDICACE.JPG https://centre-iannis-xenakis.org/files/original/ca07d2240eece42382124ea011b500fb.pdf 804bc9d80801be67fe91ed9d392ce980 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kanach - 2020 - [Fonds Dick Lucas, staemanet by Sharon Kanach abou.pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Dick Lucas, staemanet by Sharon Kanach about interview with Dick Lucas] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Sharon Kanach Date A point or period of time associated with an event in the lifecycle of the resource 10.2020 Language A language of the resource en Zotero Title [Fonds Dick Lucas, staemanet by Sharon Kanach about interview with Dick Lucas] Item Type Document Author Sharon Kanach Date 10.2020 Archive Location /Autre_Fonds/Fond Dick Lucas\ CIX A 196 Clé\ USB Octobre 2020 Language en Abstract Note This document is part of the Dick Lucas Fonds. All files are only digital copies. No original documents available. Attachment Title Kanach - 2020 - [Fonds Dick Lucas, staemanet by Sharon Kanach abou.pdf https://centre-iannis-xenakis.org/files/original/99e4ad40217721c0a7cdc4f2b1b7f453.docx acf3ca186819e903e9a11c7e468c38ee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource legend photo Dick Lucas.docx https://centre-iannis-xenakis.org/files/original/a0653cb367b9069476eefba653ba73c8.jpg 0e9dfc4e86a98fda6613adfc850abf1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DL_IX_84.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Dick Lucas, photo of Dick Lucas with Xenakis] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Dick Lucas Date A point or period of time associated with an event in the lifecycle of the resource 1984 Language A language of the resource en Zotero Title [Fonds Dick Lucas, photo of Dick Lucas with Xenakis] Item Type Document Author Dick Lucas Date 1984 Archive Location /Autre_Fonds/Fond Dick Lucas\ CIX A 196 Clé\ USB Octobre 2020 Language en Abstract Note This document is part of the Dick Lucas Fonds. All files are only digital copies. No original documents available. Attachment Title legend photo Dick Lucas.docx DL_IX_84.jpg https://centre-iannis-xenakis.org/files/original/197eeee0d0173832b42ec514e32a57fa.docx a1d0e9c484cdf80f8b84f7627f6051ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dick Lucas – follow_up_17072017.docx Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Dick Lucas, word document, email from Dick Lucas, Concrete PH, Phillips Pavillion] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Dick Lucas Date A point or period of time associated with an event in the lifecycle of the resource 17.07.2017 Language A language of the resource en Zotero Title [Fonds Dick Lucas, word document, email from Dick Lucas, Concrete PH, Phillips Pavillion] Item Type Document Author Dick Lucas Date 17.07.2017 Archive Location Autre_Fonds/Fond\ Dick\ Lucas\ CIX\ A\ 196/Dick\ Lucas\ –\ follow_up_17072017.docx Language en Abstract Note This document is part of the Dick Lucas Fonds. All files are only digital copies. No original documents available. Attachment Title Dick Lucas – follow_up_17072017.docx https://centre-iannis-xenakis.org/files/original/d3535e357cc5d883fccb4706cbf42678.JPG bc6bdac93f6247ec75df7c8958d3fe1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DSC00003.JPG https://centre-iannis-xenakis.org/files/original/c4994d96f467372604a56a2ceb49910c.JPG 24e108e69e53a6357d56a107c1e64de9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DSC00002.JPG https://centre-iannis-xenakis.org/files/original/f34acee488b4c9837f658a81460e7113.JPG 68cab818f3eea35781c1680ae117de2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DSC00001.JPG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Dick Lucas, set of 3 photos of Dick Lucas with Sharon Kanach and Cyrille Delhaye at the house of Sharon Kanach] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Sharon Kanach Date A point or period of time associated with an event in the lifecycle of the resource 2017 Language A language of the resource en Zotero Title [Fonds Dick Lucas, set of 3 photos of Dick Lucas with Sharon Kanach and Cyrille Delhaye at the house of Sharon Kanach] Item Type Document Author Sharon Kanach Date 2017 Archive Location /Autre_Fonds/Fond Dick Lucas\ CIX A 196 Clé\ USB Octobre 2020 Language en Abstract Note This document is part of the Dick Lucas Fonds. All files are only digital copies. No original documents available. Attachment Title DSC00003.JPG DSC00002.JPG DSC00001.JPG https://centre-iannis-xenakis.org/files/original/d8dc9c0af1e464e6ee44a124b4eddb0c.docx a1d0e9c484cdf80f8b84f7627f6051ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dick Lucas – follow_up_17072017.docx Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Dick Lucas, word document, email from Dick Lucas, Concrete PH, Phillips Pavillion] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Dick Lucas Date A point or period of time associated with an event in the lifecycle of the resource 17.07.2017 Language A language of the resource en Zotero Title [Fonds Dick Lucas, word document, email from Dick Lucas, Concrete PH, Phillips Pavillion] Item Type Document Author Dick Lucas Date 17.07.2017 Archive Location Autre_Fonds/Fond\ Dick\ Lucas\ CIX\ A\ 196/Dick\ Lucas\ –\ follow_up_17072017.docx Language en Abstract Note This document is part of the Dick Lucas Fonds. All files are only digital copies. No original documents available. Attachment Title Dick Lucas – follow_up_17072017.docx https://centre-iannis-xenakis.org/files/original/cc282cad7ae7202ebe0e2dd238b49b35.pdf 76d9e674b266ae2ed036432062340c7f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucas - 2017 - [Fonds Dick Lucas, email from Dick Lucas, Concrete.pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Dick Lucas, email from Dick Lucas, Concrete PH, Phillips Pavillion] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Dick Lucas Date A point or period of time associated with an event in the lifecycle of the resource 17.07.2017 Language A language of the resource en Zotero Title [Fonds Dick Lucas, email from Dick Lucas, Concrete PH, Phillips Pavillion] Item Type Document Author Dick Lucas Date 17.07.2017 Archive Location Autre_Fonds/Fond\ Dick\ Lucas\ CIX\ A\ 196/Dick\ Lucas\ –\ follow_up_17072017.docx Language en Abstract Note This document is part of the Dick Lucas Fonds. All files are only digital copies. No original documents available. Attachment Title Lucas - 2017 - [Fonds Dick Lucas, email from Dick Lucas, Concrete.pdf https://centre-iannis-xenakis.org/files/original/0d385089c25212c13168796212680132.docx 2baa794e7a80e98d49ae9958fb6e9b9a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2018_Papier_Karlsruhe.docx https://centre-iannis-xenakis.org/files/original/07d00409904b8833f525590f469a8504.pdf 72f96aba9ad5e6345ac0b62d07f686b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2018_Papier_Karlsruhe.pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fonds Guy Medigue, word document, pdf, paper about the early days of UPIC development for a talk at ZKM] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Guy Medigue Date A point or period of time associated with an event in the lifecycle of the resource 28.09.2018 Language A language of the resource en Zotero Title [Fonds Guy Medigue, word document, pdf, paper about the early days of UPIC development for a talk at ZKM] Item Type Document Author Guy Medigue Date 28.09.2018 Archive Location Autre_Fonds/Fonds\ Medigue/2018_Papier_Karlsruhe.docx Language en Abstract Note This document is part of the Guy Medigue Fonds. Guy Medigue worked on on the development of the first UPIC. Attachment Title 2018_Papier_Karlsruhe.docx 2018_Papier_Karlsruhe.pdf https://centre-iannis-xenakis.org/files/original/fab92a3a9f5896db7bd11e0a98550de5.pdf 1dec07c51ddcb0d9b0779cd204c2767d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kanach - 2013 - [Robert Dupuy, Polytope de Cluny, inventary catalo.pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventaire-CIX-2022 Group Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Robert Dupuy, Polytope de Cluny, inventary catalouge Fonds Robert Dupuy] Type The nature or genre of the resource Document Creator An entity primarily responsible for making the resource Sharon Kanach Date A point or period of time associated with an event in the lifecycle of the resource 28.03.2013 Language A language of the resource en Zotero Title [Robert Dupuy, Polytope de Cluny, inventary catalouge Fonds Robert Dupuy] Item Type Document Author Sharon Kanach Date 28.03.2013 Archive Location CIX_Server_Fonds_Robert_Dupuy Language en Abstract Note This document is part of the Robert Dupuy Fonds. Robert Dupuy worked on Polytope de Cluny version 1 as the main programmer. Attachment Title Kanach - 2013 - [Robert Dupuy, Polytope de Cluny, inventary catalo.pdf cluny flash lights lasers polytope robert dupuy https://centre-iannis-xenakis.org/files/original/202ee997bce0723427f4560c3c96ab54.pdf 804bc9d80801be67fe91ed9d392ce980 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondance Description An account of the resource Lettres, mails, fax, telex, télégrammes Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/6d79de81 http://www.nakala.fr/collection/11280/113a5596 http://www.nakala.fr/collection/11280/2db521a0 Text Une ressource qui est principalement constituée de mots destinés à être lus : livres, lettres, journaux, pièce d'archives, tapuscrits, fax, mail, manuscrits. Form Champ Form du portail de la musique contemporaine document numérique Format original Type de l'objet (photographie, dessin, CD-R, DAT, etc), couleur ou noir et blanc pdf genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). correspondance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nouvelles conclusions de Dick Lucas à propos de la reconstitution de Concret PH de Iannis Xenakis en 1983, en Hollande. New conclusions of Dick Lucas about the reconstitution of Concrete PH of Iannis Xenakis in 1983, in Holland. Creator An entity primarily responsible for making the resource Lucas, Dick Contributor An entity responsible for making contributions to the resource Kanach, Sharon Subject The topic of the resource Xenakis, Iannis (1922-2001) Xenakis, Iannis (1922-2001) - Concret PH Description An account of the resource Dick Lucas, ancien ingénieur du son ayant collaboré avec Iannis Xenakis, complète dans ce document, un entretien vidéo où il explique comment en 1983, l'Ensemble Asko Schoenberg lui demande de recréer les conditions de spatialisation du son de Concret PH de Iannis Xenakis, ce qu'il a fait avec le soutien matériel de la société Philips. Dick Lucas, a former sound engineer who collaborated with Iannis Xenakis, completes in this document, a video interview where he explains how in 1983, the Ensemble Asko Schoenberg asked him to recreate the spatialization conditions of the sound of Concrete PH by Iannis Xenakis, which he accomplished with material support from the Philips company. Source A related resource from which the described resource is derived Archives du Centre Iannis Xenakis Date A point or period of time associated with an event in the lifecycle of the resource 2017 Publisher An entity responsible for making the resource available Centre Iannis Xenakis Rights Information about rights held in and over the resource BY NC SA Language A language of the resource en Type The nature or genre of the resource text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Netherlands Belgique, Bruxelles, 1958 Date Created Date of creation of the resource. 2019-08 Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4137 Concret PH https://centre-iannis-xenakis.org/files/original/2f2ba14af1eb53438a177f30fbf48568.mp4 6c0be44afd750a145141743c3d8feb68 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Format original Type de l'objet (photographie, dessin, CD-R, DAT, etc), couleur ou noir et blanc .mov, 1,5 go Réalisateur Nom du réalisateur Dekker, Jellie Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:22:53 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Autour de la reconstitution de Concret PH de Iannis Xenakis en 1983, en Hollande. Entretien avec Dick Lucas Around the reconstitution of Concrete PH by Iannis Xenakis in 1983, in Holland. Interview with Dick Lucas Creator An entity primarily responsible for making the resource Lucas, Dick Contributor An entity responsible for making contributions to the resource Kanach, Sharon Delhaye, Cyrille Subject The topic of the resource Xenakis, Iannis (1922-2001) Xenakis, Iannis (1922-2001) - Concret PH Description An account of the resource Dick Lucas, ancien ingénieur du son ayant collaboré avec Iannis Xenakis, revient sur le dispositif technique mis en oeuvre pour la diffusion de Concret PH de Iannis Xenakis, initialement créé à Bruxelles en 1958 pour l'exposition universelle au Pavillon Philips. En 1983, l'Ensemble Asko-Schoenberg a voulu reconstruire le Pavillon Philips et a fait appel à Dick Lucas pour la partie sonore. Dans cet entretien, ce dernier explique à Sharon Kanach et à Cyrille Delhaye du CIX les contraintes techniques et les possibles solutions d'une exécution fidèle à l'idée de Iannis Xenakis. Dick Lucas, a former sound engineer who collaborated with Iannis Xenakis, looks back at the technical devices implemented for the diffusion of Concret PH by Iannis Xenakis, initially created in Brussels in 1958 for the World's Fair at the Philips Pavilion. In 1983, the Ensemble Asko-Schoenberg wanted to rebuild the Philips Pavilion and called upon Dick Lucas for the sound part. In this interview, the latter explains to Sharon Kanach and Cyrille Delhaye of the CIX the technical constraints and possible solutions for an execution faithful to the iannis Xenakis's idea. Source A related resource from which the described resource is derived Archive du Centre Iannis Xenakis Publisher An entity responsible for making the resource available Centre Iannis Xenakis Rights Information about rights held in and over the resource BY NC SA Language A language of the resource en fr Type The nature or genre of the resource moving image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Netherlands Belgique, Bruxelles, 1958 Date Created Date of creation of the resource. 2017 Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4137 Concret PH https://centre-iannis-xenakis.org/files/original/a94ccd2b2339a77307fa47dd1e33496f.mov a90723e7ef0edc718e24deed57e53054 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Polytope de Cluny [documentaire, version anglaise, montage vidéo du CIX] Creator An entity primarily responsible for making the resource Xenakis, Iannis (1922-2001). Compositeur Contributor An entity responsible for making contributions to the resource Teige, Daniel. Montage audiovisuel, illustration Kanach, Sharon. Textes, Traduction Dupuy, Robert. Textes Subject The topic of the resource Musique électroacoustique Composition musicale assistée par ordinateur Musique -- 1945-....-- Concerts Xenakis, Iannis (1922-2001) Eclairage architectural Description An account of the resource Montage vidéo ayant pour sujet le <em>Polytope de Cluny</em>, une oeuvre électroacoustique pour bande et flashs lumineux, initialement créé à Paris en 1972 par Iannis Xenakis. Document réalisé par le Centre Iannis Xenakis (contributeur principal : Daniel Teige) fondé sur des rushes vidéos procurés par Gaumont (fichiers vidéos sans son). Le texte est de Sharon Kanach, initialement publié dans <em>Music and Architecture</em> ; il est complété par des ajouts de Robert Dupuy (analyste programmateur, collaborateur de Iannis Xenakis sur ce projet en 1972). Source A related resource from which the described resource is derived Polytope de Cluny Date A point or period of time associated with an event in the lifecycle of the resource 2011 1972-10-13 Publisher An entity responsible for making the resource available Centre Iannis Xenakis Gaumont Rights Information about rights held in and over the resource Tous droits réservés Relation A related resource http://www.centre-iannis-xenakis.org/items/show/4131 Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, 11 min (.mov). Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4132 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Musée national du Moyen âge-Thermes et Hôtel de Cluny (Paris) https://centre-iannis-xenakis.org/files/original/ff384a9b4950f5fba283d659b86deeb5.pdf 8993d557aa05006dd5252e1f1bd4209f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Notes de programmes Description An account of the resource Programmes de concert, ou d'évènements Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Form Champ Form du portail de la musique contemporaine concert genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). note de programme, programme Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 11 jours Event Type Concert Conférence Atelier de composition Master Class Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource October Intersection Creator An entity primarily responsible for making the resource University of California, San Diego Department of Music Center for Music Experiment Contributor An entity responsible for making contributions to the resource Mâche, François-Bernard (1935-....). Compositeur Mâche, François-Bernard (1935-....). Conférencier Després, Alain. Compositeur Williams, Jan (1939-....). Compositeur Martirano, Salvatore. Compositeur Laneri, Roberto. Compositeur Subject The topic of the resource Musique -- 1945-....Concerts Musique -- Étude et enseignement Tournées (arts du spectacle) Conférence Composition musicale assistée par ordinateur Description An account of the resource Programme du cycle de conférences, d'ateliers de composition et de concerts organisé par l'UCSD. On y trouve notamment : - Un séminaire et une conférence de François-Bernard Mâche intitulés : Sound Models and Music Patterns (10 octobre) - Un autre séminaire de François-Bernard Mâche intitulé Myth and Music (le 18 octobre) - Un concert UPIC le 19 octobre Source A related resource from which the described resource is derived Centre Iannis Xenakis 2656, Cote 200 Date A point or period of time associated with an event in the lifecycle of the resource 1988-10-10 1988-10-21 Publisher An entity responsible for making the resource available University of California, San Diego Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource A3 Language A language of the resource En Type The nature or genre of the resource text Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4123 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm University of California, San Diego https://centre-iannis-xenakis.org/files/original/cebaf3156bcf3a433a90e64e2577c028.pdf f4668fbded6befe6c35027659c0cb81e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Notes de programmes Description An account of the resource Programmes de concert, ou d'évènements Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Form Champ Form du portail de la musique contemporaine concert genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). note de programme, programme Event Type Concert Conférence Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'UPIC system at UCSD Creator An entity primarily responsible for making the resource University of California, San Diego Contributor An entity responsible for making contributions to the resource Després, Alain. Conférencier Després, Alain. Compositeur Xenakis, Iannis (1922-2001). Compositeur Bernard, Pierre. Compositeur Mâche, François-Bernard (1935-....). Compositeur Subject The topic of the resource Concerts Conférences Tournées (arts du spectacle) Composition musicale assistée par ordinateur Description An account of the resource Programme des concerts et conférences proposés par les Ateliers UPIC à l'université de San Diego, lors de leur tournée Nord Américaine de 1988 : Conférence d'Alain Després sur les nouvelles possibilités du système UPIC. Mycène Alpha (1978) de Iannis Xenakis Solar (1981) de Pierre Bernard Somnitude II (1988) en création mondiale d'Alain Després Scary music par les élèves de l'école élémentaire Baker Hyperion de François-Bernard Mâche Source A related resource from which the described resource is derived Centre Iannis Xenakis 2655, Cote 200 Date A point or period of time associated with an event in the lifecycle of the resource 1988-10-19 Publisher An entity responsible for making the resource available University of California, San Diego Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource A5 Language A language of the resource En Type The nature or genre of the resource text Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4122 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm University of California, San Diego https://centre-iannis-xenakis.org/files/original/ff2a1122400fbde7a6a075a19d5e7c5a.pdf 8b5fbb906e65082295bc75bcf504f103 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Notes de programmes Description An account of the resource Programmes de concert, ou d'évènements Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Form Champ Form du portail de la musique contemporaine concert genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). note de programme, programme Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 7 jours Event Type Concert Tournées (arts du spectacle) Musique -- Étude et enseignement Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Music Concerts And Les Ateliers UPIC present a series of workshops & demonstrations Creator An entity primarily responsible for making the resource New Music Concerts Contributor An entity responsible for making contributions to the resource Hatzis, Christos. Compositeur Xenakis, Iannis (1922-2001). Compositeur Subject The topic of the resource Musique -- 1945-....Concerts Composition musicale assistée par ordinateur Musique notée Description An account of the resource Programme des concerts organisés par le New Music Concerts du 4 au 11 décembre 1988 à Toronto : Du 5 au 10 décembre : Ateliers de composition sur UPIC, démonstration des étudiants et concert UPIC le 11 décembre. Concert spécial le 4 décembre avec : Palimspest (1979), Mycenae Alpha (1987), Ikhoor (1978), Waarg (1988, Première Nord Américaine) de Iannis Xenakis. Nadir (1988) et On Cerebral Dominance (1987) de Christos Hatzis. Source A related resource from which the described resource is derived Centre Iannis Xenakis 2654, Cote 200 Date A point or period of time associated with an event in the lifecycle of the resource 1988-12-04 Publisher An entity responsible for making the resource available New Music Concerts Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Language A language of the resource En Type The nature or genre of the resource text Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4121 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Toronto (Ontario, Canada) ||||osm St George College ; Toronto (Ontario, Canada) https://centre-iannis-xenakis.org/files/original/d4f146b84bbc34d495d66691f8ac6c9f.pdf 9504f3db6a446e668e987b56b63fd1d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Notes de programmes Description An account of the resource Programmes de concert, ou d'évènements Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Form Champ Form du portail de la musique contemporaine concert genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). note de programme, programme Event Type Concert Tournées (arts du spectacle) Participants Names of individuals or groups participating in the event Després, Alain Lithaud, Alain Nelson, Peter Harley, James Schroeder, Nancy Smith, Randy Elder, R. Bruce Bebris, Egils Schipizky, Frederick Kucharzyk, Henry Castellano, Steve Scott, David Garnett, Willis Willian, Maxine Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Music Concerts presents l'UPIC Creator An entity primarily responsible for making the resource New Music Concerts Contributor An entity responsible for making contributions to the resource Lithaud, Alain. Compositeur Nelson, Peter. Compositeur Després, Alain. Compositeur Harley, James (1959-....). Compositeur Subject The topic of the resource Musique -- 1945-....Concerts Composition musicale assistée par ordinateur Atelier d'artiste Musique -- Étude et enseignement Description An account of the resource Programme du concert UPIC donné au St George College de Toronto avec : Une démonstration d'une oeuvre en temps réel et des capacités du système Onde 63 (1987) d'Alain Lithaud Tournoiements de spectres (1988) de Peter Nelson Somnitude III (1988) d'Alain Després L'Arbre par les enfants de St Sever (France) Voyage (1986) de James Harley. Durant la pause une vidéo présentant le système UPIC est diffusée. Source A related resource from which the described resource is derived Centre Iannis Xenakis 2653, Cote 200 Date A point or period of time associated with an event in the lifecycle of the resource 1988-10-11 Publisher An entity responsible for making the resource available New Music Concerts Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Language A language of the resource En Type The nature or genre of the resource text Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/admin/items/show/4120 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Toronto (Ontario, Canada) ||||osm St George College ; Toronto (Ontario, Canada) https://centre-iannis-xenakis.org/files/original/9a508d6fa52c15f4750b23e5ed05fa71.pdf 2edf3859c3cce1ec6744556ef1b8aab9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Notes de programmes Description An account of the resource Programmes de concert, ou d'évènements Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Form Champ Form du portail de la musique contemporaine concert genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). note de programme, programme Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 6 jours Event Type Concert Tournées (arts du spectacle) Participants Names of individuals or groups participating in the event Xenakis, Iannis (1922-2001) Feldman, Morton (1926-1987) Després, Alain Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New music concerts, Fall series 88 [Programme de concert, Toronto 1988] Creator An entity primarily responsible for making the resource New Music Concerts Contributor An entity responsible for making contributions to the resource Xenakis, Iannis (1922-2001) Feldman, Morton (1926-1987) Hatzis, Christos. Compositeur Subject The topic of the resource Musique -- 1945-....Concerts Composition musicale assistée par ordinateur Musique notée Description An account of the resource Dans la cadre de la série de concert organisé d'octobre à décembre 1988 par le Festival New music concerts de toronto, programmation d'oeuvres de Iannis Xenakis le 4 décembre 1988 : Palimspest (1979), Mycenae Alpha (1987), Ikhoor (1978), Waarg (1988, Première Nord Américaine). Programmation d'oeuvres de compositeurs en lien avec la démarche de Xenakis : On Cerebral Dominance (1987) de Christos Hatzis (Canada). Ateliers de composition musicale avec l'UPIC du 5 au 10 décembre 1988. Source A related resource from which the described resource is derived Centre Iannis Xenakis 2652, Cote 200 Date A point or period of time associated with an event in the lifecycle of the resource 1988-10-05 Publisher An entity responsible for making the resource available New Music Concerts Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Language A language of the resource En Type The nature or genre of the resource text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Toronto (Ontario, Canada) Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/admin/items/show/4119 https://centre-iannis-xenakis.org/files/original/33724d40a2e1537447b31870aaf3236e.pdf fab08148120de2783dfb05c362cecbb4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ephemera Description An account of the resource Toutes publications éphémères destinées à annoncer un évènement (affiches, programmes, notes de concert) Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/21c9021a Text Une ressource qui est principalement constituée de mots destinés à être lus : livres, lettres, journaux, pièce d'archives, tapuscrits, fax, mail, manuscrits. Form Champ Form du portail de la musique contemporaine conférence genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). note de programme, programme Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Programme of the colloquia : from Xenakis to the present: the Continuum in music and architecture (University of Cyprus, 2016) Creator An entity primarily responsible for making the resource Centre Iannis Xenakis Contributor An entity responsible for making contributions to the resource University of Cyprus European University of Cyprus Université de Rouen GRHis Subject The topic of the resource Musicologie Architecture -- 1945-.... Congrès et conférences Musique -- 1945-.... Description An account of the resource Since the Classical era and the Middle Ages, and in particular since Plato’s Timeus, the concept of continuum has preoccupied thinkers. In the early 20th century, this notion was reactivated by the theory of relativity as well as other theories such as the uncertainty principle, changing our perception of the world, and consequently artistic discourse. Even if this upheaval corresponded to technological advances on the one hand and the collapse of the romantic model on the other hand, it was only around the middle of the 20th century that artists adopted these new physical and metaphysical concepts, prompting new creative tools, especially in music and architecture. Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-13 2016-06-14 Publisher An entity responsible for making the resource available Centre Iannis Xenakis Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-sa/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-sa/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-sa/4.0/" rel="license">Licence Creative Commons Attribution - Partage dans les M&ecirc;mes Conditions 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier numérique, pdf Language A language of the resource en Type The nature or genre of the resource text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Chypre Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4116 Chypre Continuum https://centre-iannis-xenakis.org/files/original/f22984d0c595b2306bb100fdaf9cfa7a.pdf 602ad6c6b32e3df3b002d8c5445e8222 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscrits, tapuscrits, ébauches, brouillons Description An account of the resource Ebauches, brouillons, notes dactylographiées qui participent des processus de création d'une oeuvre ou d'un projet. Ces archives peuvent être de la main de Xenakis, ou de tout autre compositeur ayant collaboré avec les Ateliers UPIC, le CCMIX ou le CIX. Ces documents n'englobent pas la correspondance. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/6d79de81 http://www.nakala.fr/collection/11280/113a5596 http://www.nakala.fr/collection/11280/2db521a0 http://www.nakala.fr/collection/11280/4670acd2 Text Une ressource qui est principalement constituée de mots destinés à être lus : livres, lettres, journaux, pièce d'archives, tapuscrits, fax, mail, manuscrits. Form Champ Form du portail de la musique contemporaine document imprimé genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). rapport Notes Outre correspondre à la zone 7 du pavé ISBD (zone de note) ce champ intègre toute information supplémentaire qui apporte des précisions de catalogage. Les notes servent à préciser les informations entre crochets dans les autres champs : ex : La date est déduite d'après le contenu du document. [La date est déduite à partir de la page 2 et de la signature d'Alain Després] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Dossier de préparation pour la tournée UPIC en Amérique du Nord] L'UPIC du CEMAMu, composing computer conceived by Iannis Xenakis, presented in America (United States, Canada, Mexico) Creator An entity primarily responsible for making the resource Després, Alain Subject The topic of the resource Composition musicale assistée par ordinateur Synthèse sonore Xenakis, Iannis (1922-2001) Apprentissage par la découverte Concerts Tournées (arts du spectacle) Description An account of the resource Dossier bilingue (anglais / français) de préparation à la tournée en Amérique du Nord de l'UPIC. Explication du fonctionnement en anglais (p. 2) ; présentation de la machine en français (p. 3) ; présentation en français de l'association Les Ateliers Upic (p. 4) ; Synthèse (p. 5-6) des tournées déjà effectuées avec l'UPIC (Japon, Europe) et explication du projet de la tournée américaine (conférence, ateliers, concerts, projection d'une vidéo documentaire). Alain Després estime la durée de la tournée à 63 jours (p. 5) et juge par exemple à 48 le nombre de compositeurs participants au stages, à 50 adultes ou enfants réalisant 8 petites pièces UPIC, à 6000 étudiants assistant à des séances d'initiations et à 24 concerts-rencontres autour de l'UPIC (p. 6). Source A related resource from which the described resource is derived Centre Iannis Xenakis 2648, Cote 200 Date A point or period of time associated with an event in the lifecycle of the resource 1988-03-01 Publisher An entity responsible for making the resource available Les Ateliers UPIC Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource 6 p. ; 21 x 29,7 Language A language of the resource En Fr Type The nature or genre of the resource text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LINESTRING(-11041595.069527 2184039.1696396,-11041595.069527 2184039.1696396)|LINESTRING(-11022027.190289 2213390.988497,-11022027.190289 2213390.988497)|POINT(278423.06981889 6263941.9908213)|4|-347749.0658061|6096799.7387580|osm Paris POINT(-11031391.920581 2206278.3841162)|5|-11197718.8941070|2548716.2707861|osm Mexico (Mexique) ||||osm Canada POINT(-8242969.1291257 4966979.9137897)|5|-8198941.4008396|4852834.0510938|osm New York (N.Y.) POLYGON((-13839382.591274 5141052.6305895,-13369753.489555 5150836.5702086,-13369753.489555 4725235.196776,-12763149.233169 4177334.5781041,-12733797.414311 4069711.2422936,-12768041.202978 3981655.7857213,-12782717.112407 3898492.2989586,-12782717.112407 3849572.6008629,-12934368.176503 3844680.6310533,-13032207.572695 3844680.6310533,-13130046.968886 3957195.9366735,-13242562.274506 4045251.3932457,-13428457.12727 4094171.0913414,-13594784.100795 4363229.4308678,-13780678.953559 4705667.3175377,-13858950.470512 4935589.8985875,-13849166.530893 4984509.5966832,-13839382.591274 5141052.6305895))|5|-13227886.3650780|4309825.4022314|osm Californie (États-Unis) ||||osm 1980- Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4114 Le Monotope Tournée Américaine UPIC https://centre-iannis-xenakis.org/files/original/f580f21884c093f83f5d0bd95e9c0112.mp4 3e5cf4280b32ecbcba2970aaf5bb205a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 123 minutes 12 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Allography machine Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Economou, Athanassios. Conférencier European University of Cyprus Contributor An entity responsible for making contributions to the resource Novak, Marcos. Modérateur Kavallaris, Faidros. Intervenant Sammoutis, Evis. Intervenant Lieberman, David. Intervenant Lanzilotti, Anne. Intervenant Parthenios, Panagiotis. Intervenant Vasquez Hadjilyra, Aswaldo Emiddio. Intervenant Kanach, Sharon (1957-....). Intervenante Hadjichristos, Christos. Intervenant Chatzopoulou, Nicoleta. Intervenant Kavallaris, Faidros. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource Architectural and music computational models have profoundly affected the ways we describe, interpret and evaluate existing architectural and musical works as well as the ways we design new works in both domains. Two aspects of these computational models – representation and process (rules) are considered here to foreground similarities and differences between the two art worlds. A new computational model, the allography machine, is considered in the end as an rule-based visual tool for making graphical/spatial compositions in both domains. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-14 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4111 Architecture Computational models Music process Representation https://centre-iannis-xenakis.org/files/original/acb0f69cb5ba0901b8a328e8944cb20d.mp4 d8c51d0b2979a89f554302d51b7a2147 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38 minutes 27 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On collaboration, sound and inspiration: insight into the composer’s sound world and collaborative method of composing Creator An entity primarily responsible for making the resource Sammoutis, Evis. Conférencier Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Contributor An entity responsible for making contributions to the resource Novak, Marcos. Modérateur Lieberman, David. Intervenant Vasquez Hadjilyra, Oswaldo Emiddio. Intervenant Freedman, Lori (1958-....). Intervenante Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-14 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4110 Composer-performer collaboration Extended techniques New instruments process https://centre-iannis-xenakis.org/files/original/847925bd86a6a5943087e9e9d5bcb879.mp4 11b7c129f95ac3154f7f97dcb24efb2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40 minutes 50 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Out of the Flames Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Freedman, Lori (1958-....). Conférencière European University of Cyprus Contributor An entity responsible for making contributions to the resource Novak, Marcos. Modérateur Sammoutis, Evis. Intervenant Hadjichristos, Christos. Intervenant Economou, Athanassios. Intervenant Kavallaris, Faidros. Intervenant Ham, Jeremy. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-14 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4109 Description An account of the resource A sonic inquiry into the multi-faceted, poly-temporal relationship between improvisation and composition. Solo Bass Clarinet perfrmances and discussions: Out of the Flames (Lori Freedman, 2016) and The Library on Fire (Paul Steenhuisen, 2015). Composer-performer collaboration Extended techniques Improvisation Paul Steenhuisen https://centre-iannis-xenakis.org/files/original/e60b0bfc958f8f9225c7e4a08284a903.mp4 d1d0237bfd5bb81c244bd6f9279f6c85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sound of These Waves Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Lieberman, David. Conférencier European University of Cyprus Contributor An entity responsible for making contributions to the resource Economou, Athanassios. Modérateur Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-14 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4108 Description An account of the resource Presentation of the complete film "the Sound of these Waves" by David Lieberman, first presented in Rouen during the Continuum conference there in November 2015. https://centre-iannis-xenakis.org/files/original/ac3c134a05692111f8323635378cbe2e.mp4 0e7e9a24ad8568927ebc97188f0560ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31 minutes 43 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Granulation and layering: Xenakis's Polytopes and Moholy Nagy's Light-Space Modulator Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Hadjivasili, Maria. Conférencière Hadjichristos, Christos. Co-auteur European University of Cyprus Contributor An entity responsible for making contributions to the resource Novak, Marcos. Modérateur Hadjichristos, Christos. Intervenant Kanach, Sharon (1957-....). Intervenante Lieberman, David. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-14 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4107 Description An account of the resource This paper looks at how sound, light and shadow performances could be achieved by the method of granulation and layering as demonstrated by the work of Iannis Xenakis and Laszlo Moholy Nagy. The similarities as well as the differences in the two approaches are suggestive of the potentialities of such a design methodology. Architecture Granulation Layering Light Sound https://centre-iannis-xenakis.org/files/original/17739ec516438e54cc3f1edf8b7fbb8b.mp4 faf40c94f90e013e89ab1aa5d1430f64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34 minutes 45 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Researching the Philosophy, Music, and Being of Xenakis’ Work from the I Ching Perspective Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Yu, Yin. Conférencière European University of Cyprus Contributor An entity responsible for making contributions to the resource Novak, Marcos. Modérateur Hadjichristos, Christos. Intervenant Ham, Jeremy. Intervenant Lieberman, David. Intervenant Kanach, Sharon (1957-....). Intervenante Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource In 1991, a stochastic music piece called Gendy3 was produced entirely by a computer program written by the composer Iannis Xenakis at CEMAMu. In his words, Xenakis asked "What is a composer? A thinker and plastic artist who expresses himself through sound being." We now can hear computer generated sounds that we were incapable of imagining before. The relations between human beings and music has been changed, from human control to digital control. In this research, I will deal with the following questions: Can new music help to enhance our epistemology of the universe? Can new music change our perceptions of the relations between human beings and music? Xenakis adopts a western-scientific approach on composing his music. I Ching, on the other hand, from the East, is the object of more discussion and comprehension with the help of the development of mathematics and science. I will compare Xenakis’s approach and the I Ching to answer the above questions in three parts: philosophy, music, and human beings. Conclusion As the discussion above, a strong correlation between the western scientific approach on music and the eastern mysterious web of signs of math has appeared. To find out the concrete answer, a physical space with experimental music could be taken as a tool to take future steps on this analysis. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-14 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4106 I Ching Mathematics Music Philosophy https://centre-iannis-xenakis.org/files/original/a29dcac5303abb78a5840abf7e4469ad.mp4 9115794adb254e41c3d1168a6ce087f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31 minutes 33 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The genesis of structure: A narrative description of F. Romitelli’s Yellow, Green and Blue Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Dimou, Stylianos. Conférencier European University of Cyprus Contributor An entity responsible for making contributions to the resource Economou, Athanassios. Modérateur Sammoutis, Evis. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource In this paper I will present an analysis of Fausto Romitelli’s piece Yellow, Green and Blue aiming for the realization of the driving forces that forge the structural shape of the piece. I will primarily focus on selected concepts and ideas that could shed light on a more thorough understanding of such musical forces that not only affect the shaping of the musical form but could possibly suggest a more crucial reasoning on the understanding and listening experience of the piece. In addition to that I will address the question of syntactic coherence and sonic unity in a work of such plasticity, where discrete units such as motive, phrase, etc. are not particularly helpful terms in a sonic landscape which has to do more with sculpting of large masses of sound. F. Romitelli describes characteristically: “At the center of [his] composing lies the idea of considering sound as a material into which one plunges in order to forge its physical and perceptive characteristics: grain, thickness, porosity, luminosity, density and elasticity. Hence it is sculpture of sound, instrumental synthesis, anamorphosis, transformation of the spectral morphology, and a constant drift towards unsustainable densities, distortions and interferences, thanks also to the assistance of electro-acoustic technologies”. The theoretical background of my analysis is intertwined with the ideas of Ms. Livia Theodorescu-Ciocanea that are thoroughly presented at her paper titled as “Timber Versus Spectralism. Ms. Theodorescu-Ciocanea describes nine different compositional tendencies in Spectral Music: Spectralism as timbral metaphor, mimetic Spectralism, Spectralism as heterophony, Spectralism and modality, Spectralism as an archetypal approach, etc. Considering such tendencies as an important point of departure, I created a theoretical - empirical model of analysis for the better comprehension and interpretation of the sounding components and gestural interconnections in Romitelli’s music. My model comprises three hierarchical levels. The first level, “Pitch context /Harmony”, deals with the identification of pitch complexes and/or harmonic fields, intervallic schemas and the interaction of the harmonic and inharmonic spectra of the piece. The second level, “Motion/Procedure or (Musical Operations)” illustrates the means that determine the “behavior” and the shaping – pacing, formation – of the sound. The combination of the aforementioned is interpreted, in level III, as “Musical gesture”. I consider this to describe the shaping and directionality that the “sound energy” takes, in the micro and macro structural levels on the piece. Consequently, the proposed analytical discourse highlights the subtle transition from the harmonic-inharmonic elements through the way that they are formulated and shaped, leading to their sonic depiction and/or gestural formation reaching finally their structural instantiation into the music. The ultimate goal is the internal analysis and understanding of the gestural forces, their imminent effect on the sound and structure resulting in the formation and realization of larger structural levels of the piece. Each level of my analytical model will contribute to the broaden clarification of all the sonic/gestural events highlighting the reasoning behind the sonic energy that formulates the global structural shape of the piece. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-14 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4105 Fausto Gesture Livia Theodorescu-Ciocanea Romitelli Structure Timbre https://centre-iannis-xenakis.org/files/original/39798249c296884100cdb224682fe084.mp4 f50bd108e9557a21a2cb475235c6c6d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38 minutes 31 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Musico-Spatial Design Research within the Continuum of Performance, Practice and the Academy Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Ham, Jeremy. Conférencier European University of Cyprus Contributor An entity responsible for making contributions to the resource Economou, Athanassios. Modérateur Lieberman, David. Intervenant Novak, Marcos. Intervenant Lanzilotti, Anne. Intervenante Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource The presentation brings together reflections on the continuum of Performance, Practice and the Academy that aims to address the wider interdisciplinary intentions of Iannis Xenakis. We reflect on the musical and spatial design synergies generated through design research within the three modalities of Performance, Practice and the Academy. ‘Design research’ as ‘researching through design (Downton 2003)’ provides a platform for creative practitioners to generate knowledge through their practice. The author will focus on a selection of his activities over twenty-five years as a musician (Performance), architect (Practice) and researcher (the Academy) seeking to cross-reference and find synergies between domains PERFORMANCE: The ImprovScope Project Whilst there has been intense examination of the continuum of music and architecture in relation to the outcome of musico-spatial design processes in the work of architects such as Xenakis , this creative research focuses away from the ‘product’ towards the actual creative process. This research operates within the modality of ‘research through design (Downton 2003)’ at RMIT University Spatial Information Architecture Laboratory Sound Studios. The ‘ImprovScope’ project involves first-person explorations of the author’s improvisations on the electronic drum kit. This scoping out of the authors’ solo improvisational capacities will serve as the basis for musical compositions and creative works (See https://soundcloud.com/jjham/tripscapes) and is founded on improvisation as a vehicle through which to generate massive amounts of musical output. Improvisations are recorded in MIDI across three contexts: Beat and Fill; Drum Solo and Studio Beats, template at 100 BPM for 100 beats. The project discusses the application of a spatial design parametric framework that offers affordance (Gibson 1979) to mediating a theoretical ‘musico-perspectival hinge (from Pérez-Gómez and Pelletier (1997)). The presentation contends that musicians who may be limited in their understanding of their music because of an inability to read, and in particular those who may be dominant in the visual-spatial thinking insights into the attributes that constitute their style. Through plan, section, elevation, axonometric projections and, ultimately, through 3D printing, drum based music is examined. PRACTICE This element of the presentation discusses the application of the ‘Y Condition (Martin 1994)’ within the design of the author’s own house at Bells Beach, Australia. Concepts of music, including Golden Section geometry, overlays of beat structures in window fenestration and metaphorical references to searing guitar solo’s are embodied within this built work. This element of the paper will discuss how musical concepts must, in the real world, be reconciled against pragmatic, regulatory and construction issues. THE ACADEMY The author reflects on a 16-year architectural design academic career and his current role in exploring musico-spatial design connections through design research. The Music Room project is discussed, wherein second year architectural design students were required to compose a ‘musique concrete’ piece, design a ‘Music Room’ space to listen to this, and construct a selection of these at 1;1. This project was run over a period of five years, resulting in around fifty projects being constructed. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-14 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4104 https://centre-iannis-xenakis.org/files/original/3157ec71f0278f3542ec1990d962f30f.mp4 b3af8839b959d214c7d3fcad70b499a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46 minutes 05 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sound and Homeomorphisms Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Vasquez Hadjilyra, Oswald Emiddio. Conférencier European University of Cyprus Contributor An entity responsible for making contributions to the resource Economou, Athanassios. Modérateur Kanach, Sharon (1957-....). Intervenante Sammoutis, Evis. Intervenant Novak, Marcos. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource There is a superficial, and yet fundamental paradox at the core of Xenakis' work: whilst being the creator of atomised sound (granular synthesis) he was also preoccupied with sound's continuity; or later on his career, while he openly promoted the techniques offered by digital synthesis (i.e. UPIC) he was critical of harmonic analysis and the synthesis derived from Fourier Transforms. At a first glance, these positions may appear incompatible and incommensurable, but considering Xenakis' full awareness of the implicit problems in the aforementioned domains, this presentation would like to argue for possible ways that this fissure is in fact justifiable, by alluding to topological operations that reconcile the analog and the digital. More specifically, the argument will mainly be exemplified in a transdisciplinary way by presenting personal work, in which rendered images taken from a parametrically designed piece of marble (designed by Arch-T) were used to as a compositional tool. The operations to and from the rendered images to the raw sound can be loosely defined mathematically as topological homeomorphisms. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-14 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4103 Fourier Transform Granular Synthesis Parametricism Topology UPIC Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 127 minutes 52 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ArchiMusic: from Polytopes to Allotopes Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Novak, Marcos. Conférencier University of Cyprus Contributor An entity responsible for making contributions to the resource Hadjichristos, Christos. Modérateur Lieberman, David. Intervenant Economou, Athanassios. Intervenant Vasquez Hadjilyra, Oswald Emiddio. Intervenant Ham, Jeremy. Intervenant Kanach, Sharon (1957-....). Intervenante Lanzilotti, Anne. Intervenante Kavallaris, Faidros. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource Keynote lecture. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-13 Publisher An entity responsible for making the resource available Centre Iannis Xenakis University of Cyprus European University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4102 Cognition Continuum Creativity Cyberspace Extreme Intermedia Polytopes Technology Xenakis Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50 minutes 58 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Giacinto Scelsi's "Imprint" on the Continuum Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Kanach, Sharon (1957-....). Conférencière University of Cyprus Contributor An entity responsible for making contributions to the resource Lieberman, David. Modérateur Economou, Athanassios. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource An overview of Giacinto Scelsi's creative process, music and writings, focussing on the importance he gives to sound and particularly unisson. Could this be the "imprint" he has left on our musical continuum? Specific examples are given where Scelsi's influence on Xenakis may be deciphered. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-13 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4101 Anada Coomaraswamy Continuum Dagar Brothers Immersion Music Ondiola Scelsi Sound Spinoza Unisson Xenakis Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Are Noise and Silence Part of the Same Continuum? Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Chatzopoulou, Nicoleta. Conférencière Parthenios, Panagiotis. Co-auteur University of Cyprus Contributor An entity responsible for making contributions to the resource Lieberman, David. Modérateur Vasquez Hadjilyra, Oswald Emiddio. Intervenant Parthenios, Panagiotis. Intervenant Georgaki, Anastasia. Intervenant Ham, Jeremy. Intervenant Economou, Athanassios. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource The underlying idea that noise and silence may constitute the two ends of the same continuum is the subject of our research. Noise and silence are examined as notions beyond their strict sense of the word; their expanded connotation reflects on creative thinking, aesthetic and cultural matters and scientific research. We focus on the relationship of noise and silence, with respect to sound and space, by interpreting them as spatial elements. The composition Continuum II for solo viola (2015) by N. Chatzopoulou, has been used as a platform in order to investigate how the elements of noise and silence, which are used structurally in order to attain cohesiveness and a continuous flow in time, can be interpreted in space. Experimenting with different surfaces, layers, textures and light, we aim to explore the fine constituents of silence and noise and consequently observe the points that they converge and diverge from each other. Without aiming to neglect the other senses, our cultural preference for the ocular proves useful in revealing hidden aspects of the relationship between silence and noise and the nature of this continuum. As a result, it has a significant impact on how we think, listen, design, create and live in our contemporary world. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-13 Publisher An entity responsible for making the resource available Centre Iannis Xenakis University of Cyprus European University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4100 https://centre-iannis-xenakis.org/files/original/ce62a24237f21ab5ec1b77564f91af46.mp4 c2c13659c1754d9ea32d4303581d4768 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 16 minutes 49 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinventing the sense of continuity in urban structure through pauses Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Anaxagorou, Glykeria University of Cyprus Contributor An entity responsible for making contributions to the resource Kanach, Sharon (1957-....). Modératrice Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource At first glance, the modern city constitutes a continuing united system in space-time. Roads, buildings, open spaces comprise the idea of urban structure into an interwoven system. On second thought, contemporary cities are seen as townscapes composed by a random collection of fragments, rather than a meaningful landscape of interrelated spaces. These gaps disrupt the overall continuity of the urban form. Nevertheless, they can often be interrelated with everyday expressions of public space activism. These space-time pauses/tensions on the urban structure constitute a variety of bottom-up initiatives that challenge the increasingly, regulated, privatized forms of the urban system and at the same time defy or escape existing regulations. Tactical maneuvers stand in contrast to the carefully planned city and break the rules for short periods with unexpected, risky activities that inject the urban voids with new functions and meanings. The permanent form of the city and the temporary interventions in it, are what de Certeau call strategies and tactics. During the last years, are observed many actions aiming at the reappropriation of urban voids throughout Europe. The question which is emerging from such a study is: How these actions can enhance the overall system, although are breaking the rules of the state? How can monotony rhythm of space-time be interrupted and, at the same time in communication with new tones of public life? In exploring these questions, this paper presents two cases: a series of practices implemented by the Atenistas group in the city of Athens, Greece and the appropriation of a lake in an abandoned factory in Rome, Italy. Atenistas, is a group that searches and identifies vacant or misused spaces. They have managed to implement a series of strategies in organizing and activating, not only the spaces as such but in terms of emerging the social network that will sustain and maintain these spaces. The second example is about an abandoned factory which bought by Antonio Pulcini, who intended to transform it to build a shopping center. During the constructions, an unidentified water source from which the water had covered the whole area was revealed. This condition provided the neighboring residents with the advantage to occupy and appropriate the space. Their actions eventually determined the lake’s future use in an agreement with the state. Both cases reflect how the spaces that disrupt the urban structure can be seen as fertile grounds for social regeneration through tactics, rather than one fixed plan. This thesis aims at bringing new insights about the potentials of residual sites and their role in the development of modern city. It attempts to demonstrate how informal activities in urban voids can interrupt the monotonous continuity of the city bringing new social patterns and promoting a more creative continuity of the urban system which can enhance the social bonding whilst fostering the creation of meaningful social relations. These cases can offer lessons for other cities that wish to improve the public life of their urbanites through pauses enhancing at the same time the sense of wholeness. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-13 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Université de Rouen Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4099 Bottom-up strategies Public space Strategy-tactic Urban design Urban voids Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35 minutes 39 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Xenakis's Transfer: The transdisciplinary compositional thinking as an inference-transfer process. Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Matos Rocha, Namur. Conférencier University of Cyprus Contributor An entity responsible for making contributions to the resource Kanach, Sharon (1957-....). Modératrice Novak, Marcos. Intervenant Hadjichristos, Christos. Intervenant Freedman, Lori (1958-....). Intervenante Lieberman, David. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource In his book «Revealing Architectural Design: Methods, Frameworks and Tools”, Philip Plowright explains that every knowledge coming from an external discipline needs to be translated in order to be used as a designs principle in other discipline. This translation of knowledge process is called domain-to-domain transfer or inference transfer. Them, as it is known, architectural and musical composition are based on an internal syntax that incorporates its own knowledge, but they also infer external knowledge. So, in order to use external knowledge in architectural or in music syntaxes, it is necessary to translate these informations through an operation of domain-to-domain transfer. This is true not only for architecture and music, but for all disciplines. Technically, in the inference transfer process, some selected content is brought forward from a source domain, mediated through a transfer frame, and then implied in the target domain. The validity, quality, and significance of the content in the target are dependent on the relevance of the relationship between itself and the content from the source. This activity can be frequently called an analogy, a metaphor, a homology, or a simile. The primarily tool for thinking around an object, situation or application by the point of view of its potentially transfer principles is called first principles reduction. It is at the core of how information is moved between domains. The act of reduction begins to abstract an object or situation away from a particular disciplinary application to a more general statement. Once a general understanding of principles has been achieved, it is relatively easy to move those general principles across disciplines. The generic, generalized factors that are the result of a first principles reduction are not coded in any disciplinary language. They can be associated with a new domain and then expanded back to a particular application by applying deep discipline syntax. As attested by Plowright, structure-mapping is a more intricate form of transfer through first principles reduction. In structure-mapping, the interest is in identifying strong relations between objects in a specific source domain in order to enrich the content of a target domain (architecture, music). A selected aspect of the source domain – which is a context, an event, or a situation – is ‘exploded’ into its component parts. This will include objects of the source domain, the attributes of those objects, and the relations between those objects. As explained by the author, the source frame holds content in its particular syntax, the transfer frame moves that content into general principles, and the target frame translates the general principles back to particular syntax but in a different domain of knowledge. This paper proposes an analysis of the Xenakis compositional process through the inference-transfer methodology. In this aim we propose to analyze some works in which the composer has explicitly applied the transdisciplinarity between the musical and architectural domains in order to clarifies his process of thinking. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-13 Publisher An entity responsible for making the resource available Centre Iannis Xenakis University of Cyprus European University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4098 Architecture Inference-transfer Music Transdisciplinarity Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39 minutes 19 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Norman's The Companion Guide to Rome: Influence of Architecture and Visual Art on Composition Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Lanzilotti, Anne. Conférencière University of Cyprus Contributor An entity responsible for making contributions to the resource Lieberman, David. Modérateur Kanach, Sharon (1957-....). Intervenante Freedman, Lori (1958-....). Intervenante Economou, Athanassios. Intervenant Kavallaris, Faidros. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource In the same way that the Cosmatesque floors in San Benedetto in Piscinula affect the way one interacts with the space consciously or subconsciously, Norman’s use of palindromic musical gesture give a structure through which to process movement through time. Both challenge the observer through zooming in on the specific design/pattern of the materials to trust in the actual and symbolic experience of marching through time. It is only through “outside time made possible by memory” that one perceives patterns, and hopes to move forward. This is the spirituality reflection: forcing one to focus on time itself, the symmetries of experience, and what is to come. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-13 Publisher An entity responsible for making the resource available Centre Iannis Xenakis European University of Cyprus University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4097 Andrew Norman Architecture Combinatorics Cosmateque mosaics Extended techniques https://centre-iannis-xenakis.org/files/original/63c80d5cee9325cf38f856d37a109631.mp4 be54c78225b0723f8424a7cfa6f4bf1c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37 minutes 44 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Diakopès: historicizing continuum in the work of Iannis Xenakis Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Kalfa, Konstantina. Conférencière Papavasileiou, Mara. Co-auteure University of Cyprus Contributor An entity responsible for making contributions to the resource Kanach, Sharon (1957-....). Modératrice Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource A later work (1966), the holiday house Xenakis designed for a musician, his friend F.B. Mâche, the only work realized in Greece (Xenakis and...Plato’s homeland), does not seem to exhibit the Pavilion's formal continuity: arranged in five independent volumes, each one of which is perforated by a series of enigmatic, pretty narrow, openings, it does not even allow any sort of visual continuity. It is a house in diakopés (the Greek word for vacations, literary meaning interruptions, disruptions in continuity). Yet in the midst of these discontinuities, another kind of continuity emerges (a rather 'virtual' continuity, as Colin Rowe once described a certain state of transparency; Rowe & Slutzky, 1992): as one is approaching the house, there are various points from which the volumes seem as a uniform mass; the openings are suggesting a continuous filming of the landscape; each volume is a continuous, topological, transformation of the others and, on the archetypical form of each volume, there is to be found a synécheia (the Greek word for continuity, also meaning the coherence). In these archetypes is expressed a pre-hellenism, an archaism (Grumbach, 2001: 195-199) which is yet poorly studied in terms of Xenakis' oeuvre and the continnum. Based on a longstanding, original and still unpublished, archival research (2005 onwards), on witnesses from the persons involved and on thorough analyses on the mathematics of forms, this paper aims to investigate the continuities/discontinuities in the house of Amorgos, towards a historicization and reassessing of continuum. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-13 Publisher An entity responsible for making the resource available Centre Iannis Xenakis University of Cyprus European University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4096 Amorgos Architecture François-Bernard Mâche Philips Pavilion Terretektorh https://centre-iannis-xenakis.org/files/original/207a3386c065d7147ab2910481b53595.mp4 55012e54865545f8dc6c6f07e88afcaa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Polytope of Mycenae (1978) / I. Xenakis: structuring the space of the past through a futuristic architectonic approach Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Georgaki, Anastasia. Conférencière University of Cyprus Contributor An entity responsible for making contributions to the resource Kanach, Sharon (1957-....). Modératrice Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource In 1978 Xenakis created at the Acropolis of Mycenae a unique event -in multiple places (polytopon)- a participatory art spectacle for the masses with music and poetry, audiovisual effects, soundscapes with human and animal voices and bells with absolute respect to the historical and the natural soundscape of the archeological site. In this presentation I will present the structure of the polytope in space and time through a microstructure and macrostructure analysis; I will focus especially on Mycenae Alpha the the electronic piece that has been composed for this event and is based in microstructural sound design in UPIC environment (Polyagogie) through cloud and aborescences. The sound of Mycenae Alpha is the futuristic tool « par excellence » that bridges different events that happen in the "heterotopian" soundscape of Mycenae and thus highlights the cultural heritage of thousands of years through the perspective of a futuristic driven architecture organization in the field of audio, music, speech and natural soundscape. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-13 Publisher An entity responsible for making the resource available Centre Iannis Xenakis University of Cyprus European University of Cyprus Université de Rouen École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4095 heterotopia Polytope of Mycenae soundscape UPIC Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51 minutes 31 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Practice Walk Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Sheppard Skaerved, Peter University of Cyprus Contributor An entity responsible for making contributions to the resource Hadjichristos, Christos. Modérateur Lieberman, David. Intervenant Economou, Athanassios. Intervenant Novak, Marcos. Intervenant Freedman, Lori (1958-....). Intervenante Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource A personal journey exploring the interdisciplinary nature of inspiration. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2016-06-13 Publisher An entity responsible for making the resource available Centre Iannis Xenakis École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Université de Rouen European University of Cyprus University of Cyprus Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4094 https://centre-iannis-xenakis.org/files/original/c6fe2aac2e1d0fc4e871f0a7ba64e2e1.mp4 234d5880a4a383fd94b6fea74ec9db7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The plasticity of pitch phenomena in electronic music Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Université de toutes les cultures Creator An entity primarily responsible for making the resource Roads, Curtis (1951-....). Conférencier Université de Rouen Université de toutes les cultures Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource Keynote et conférence donnée dans les cadre del' Université de toutes les cultures de l'Université de Rouen Pitch is an intrinsically fascinating phenomenon. Words fail to describe the emotional impact of a beautiful melody, harmonic progression, bass line, pitch cluster, or cloud of glissandi. Partly because of this concentrated aesthetic power, pitch is also a sensitive and culturally-charged topic, and the most zealously researched aspect of music. This obsessive focus has not resulted in a unified view. Pitch phenomena are studied from different angles by composers of various stripes, music theorists, psychoacousticians, and music psychologists. They import divergent biases and communicate in separate circles. The current musical situation prompts a reconsideration of the aesthetics of pitch. Two developments motivate this. First, the inherent precision and programmability of digital synthesis removes limitations imposed by acoustic instrument design and human performance. This enables formerly speculative theorizing about pitch (such as precise microtonal performance) to be realized easily in practice. Second, musical aesthetics and technology have opened up to the entire universe of sound, placing the relatively narrow domain of scale-aligned pitched tones in a much broader sonic and compositional context. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2015-11-04 Publisher An entity responsible for making the resource available Centre Iannis Xenakis École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Université de Rouen European University of Cyprus University of Cyprus Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4093 Continuum Digital Synthesis Electronic Music Micro-tonality Pitch https://centre-iannis-xenakis.org/files/original/6a7f8263541ad6a37f71cc10ddba0165.mp4 d43bf6013e2f93192688467f389bb764 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30 minutes 52 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Accueil à l'ENSA Normandie Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Fendrich, Fabienne. Directrice de l'ENSA Normandie École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Contributor An entity responsible for making contributions to the resource Féménias, Damien. Représentant de 'Université de Rouen Biard, Michel (1957-....). Représentant du GRHis Méfano, Paul (1937-.... ). Président du Centre Iannis Xenakis Villeval, Jean Louis. Vice-président du Centre Iannis Xenakis Kanach, Sharon (1957-...). Vice-présidente du Centre Iannis Xenakis Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2015-11-03 Publisher An entity responsible for making the resource available Centre Iannis Xenakis École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Université de Rouen European University of Cyprus University of Cyprus Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource fr en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4092 Continuum https://centre-iannis-xenakis.org/files/original/18dc2fb2616ef38e1a774feb1db66c10.mp4 c0337e4ab90005a8683f88151c3c13b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59 minutes 19 seconds Notes Outre correspondre à la zone 7 du pavé ISBD (zone de note) ce champ intègre toute information supplémentaire qui apporte des précisions de catalogage. Les notes servent à préciser les informations entre crochets dans les autres champs : ex : La date est déduite d'après le contenu du document. Précédé d'extraits musicaux de « Trans » et de « Objectiles » (2 guitaristes) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Continuums, espaces-temps, transitivité Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Criton, Pascale (1954-....). Conférencière École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Contributor An entity responsible for making contributions to the resource Castanet, Pierre Albert (1956-....). Modérateur Lallement, Estelle. Guitariste Marques, Filipe. Guitariste Delhaye, Cyrille. Intervenant Ioakeim, Nikos. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource Que le son résulte de sources matérielles ou qu’il soit généré par des machines, Xenakis met en valeur « l’engendrement de l’inengendré » et les potentialités transformatives à l’œuvre dans la musique. Le son est événement, énergie, matière en devenir. Le propre d’un espace-temps musical sera de donner consistance à des individuations sonores inouies (sans identité). A cet effet, diagrammes spatio-temporels, cribles et schèmes permettront de déterminer les modifications d’ensembles de variables et modeler les événements d’une plasticité dynamique. Au sein de cette physis active, loin de s’exclure, les pôles complémentaires du continu et du discontinu ne cessent de s’échanger, de varier leur mesure et leur distribution, renouvellant la composition des rapports selon des densités variables, transformations graduelles et imperceptibles, vitesses de modification. Davantage que des continuités stables, c’est la transitivité que notre intérêt retient ici, la mise en contiguité de dimensions différentes, leurs zones d’indiscernabilité et les couplages fulgurants qui permettent de sortir des modèles linéaires, exclusifs ou limitatifs pour passer d’un milieu à un autre. Nous distinguerons les continuums d’ordre (paramètres du son, qualités identifiées) et les continuums transitifs qui chevauchent les catégories et permettent des mises en relation non préétablies. En prenant appui sur mes travaux de recherche et des extraits d’œuvres, j’exposerai quelques situations de continuités transitives : sensorielles, gestuelles, spatiales. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2015-11-03 Publisher An entity responsible for making the resource available Centre Iannis Xenakis École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Université de Rouen European University of Cyprus University of Cyprus Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Language A language of the resource fr en Type The nature or genre of the resource moving image Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4089 Continuums Espaces-temps Sono-tactile Transitivité https://centre-iannis-xenakis.org/files/original/3a438fb26b1decf274081bdd7337e38c.mp4 d313ef5e3cf7ce4c2bca122d6f1caa12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40 minutes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Well, I say you are already ‘Layereding’ Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Chatzichristou, Christakis. Conférencier École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Contributor An entity responsible for making contributions to the resource Castanet, Pierre Albert (1956-....). Modérateur Lieberman, David. Intervenant Estrada, Julio (1943-....). Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource If layering is an arrangement which allows not only the navigation within any one of the layers and the navigation through different layers but also the creation of new layers in the form of assemblages, the components of which are entities encountered in other layers, then any element is neither a fragment nor a stable entity but rather a ‘trace’, the trajectory of which is an integral part of the identity it assumes at each moment of its journey. In such a setup the subject is not an outside perceiver but another layered entity with a memory which allows for changes in identity without dissolving the notion of the entity. Even though, at least in the case of architectural practice, Layering is a technique used extensively to produce hand-drawn and digital design and construction documents, as well as in the actual construction itself, it is, compared to concepts such as collage, montage, bricolage or folding, less, if at all, investigated in the field of architecture but also in art or philosophy, Freud compares the way the brain stores information with the way Rome, the Eternal City, is layered. And while there are of course important differences, what is attempted is an investigation into the potentials offered by using layering as a model for thinking and designing. From a rather personal methodology for painting, to proposals for the buffer zone dividing Cyprus into the north and the south, to a novel way of writing, the present project playfully navigates through diverse material which is itself layered while layering the subject exposed to it who is consciously or not already engaged in layering anyway. It could thus be said that the proposed paper is all about ‘layereding’ a term expressing both the passive and the active component of the phenomenon of being layered while being engaged in the action of layering. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2015-11-03 Publisher An entity responsible for making the resource available Centre Iannis Xenakis École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Université de Rouen European University of Cyprus University of Cyprus Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en fr Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4088 Assemblages Layereding Subjectivity Synchronicity https://centre-iannis-xenakis.org/files/original/e1017e4a77c3adbdf9c62f46910434b3.mp4 c9f88aeb1329055b610960fa4da9de25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 57 minutes 12 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource De l’imaginaire musical créatif à sa conversion dans un macro-timbre continu-discontinu proche de la réalité Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Estrada, Julio (1943-....). Conférencier École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Contributor An entity responsible for making contributions to the resource Castanet, Pierre Albert (1956-....). Modérateur Delhaye, Cyrille. Intervenant Lieberman, David. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource Keynote La recherche de nouvelles reponses théoriques implique ici une exigence : laisser en déhors les langages musicaux – ainsi que leurs codifications – pour nous rapprocher d’une substance essentielle en création musicale, la perception des fantasmes libres de l’imaginaire creatif. Ce domaine encourage l’interpretation des signaux envoyées par les sens, une expérience privée qui, dans le contexte présent, demande de ne pas aborder les aspects émmotionels et affectifs. Il est charactéristique du phénomène de perception que ses signaux ne soient seulement auditives mais qui se manifestent dans la mixture propre de la synesthésie, un aspect à prendre en considération si l’on accepte que la pauvreté qui charactérise nos descriptions auditives ne cesse de s’appuyer dans d’autres sens – clair, sombre,… lise, rugueux,… doux, picant… –. Pour mieux se rapprocher de l’imaginaire musical il faut, d’abord, saisir la façon de se mouvoir de sa matière – information essentielle qui permet l’adoption des rythmes de la synesthésie, puis, que même étant irréel l’imaginaire ses représentations sensorielles maintiennent une étroite relation avec la réalité par leur référence aux états physiques de la matière – gaz, liquide, magma, solide –. Mouvement et état matériel hypothétique deviennent un référant physique pour que l’interprétation sensorielle des fantasmes puisse mieux les convertir à la réalité. La conversión a par but que toute donnée sensorielle, auditive ou pas, trouve une équivalence arbitraire aussi bien que approximative à des données musicales. La saisie de l’information physique contenue dans les fantasmes peut provenir, parmis d’autres, de la narration verbale ou de l’enregistrement graphique de la vitesse de changement de chaque aspect dynamique décélé dans l’imaginaire. Ces données servent de base pour reussir leur conversion dans un macro-timbre vocal ou instrumental, équivalent à la synthèse de l’ensemble des composantes chrono-acoustiques de la matière de la musique – rythme, son et espace – dans des structures de type continu ou discontinu. Le macro-timbre est un corps musical simple ou riche en information qui réponds à la nécessité de rivaliser avec les synthèses produites par les technologies musicales modernes. Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2015-11-03 Publisher An entity responsible for making the resource available Centre Iannis Xenakis École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Université de Rouen European University of Cyprus University of Cyprus Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource fr en Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4087 Chrono-acoustique Macro-timbre Perception Rythme Son et espace Synesthésie https://centre-iannis-xenakis.org/files/original/ffb79d61bacb3e2b37982ce50c4817e6.mp4 9a51e09410ce44dddb1ae9fc927a6bfe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports vidéos Description An account of the resource Images animées : documentaires vidéo, reportages, témoignages. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/c21b4e9f Moving Image Toutes images de type vidéos, animations, reportages. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44 minutes 34 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource White box black box: at the edges of sound and light Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture Creator An entity primarily responsible for making the resource Lieberman, David. Conférencier École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Contributor An entity responsible for making contributions to the resource Criton, Pascale (1954-....). Modératrice Méfano, Paul (1937-.... ). Intervenant Hollard, Arnaud. Intervenant Subject The topic of the resource Congrès et conférences - Architecture -- 20e siècle Congrès et conférences - Musicologie -- 20e siècle Continu (philosophie) Description An account of the resource Keynote White Box the space of exhibition the space of installation edited and reduced to accomodate fine art Black Box the space to facilitate the space to make possible expanded and diffused with performance The proposition seeks through the choreography of movement, sound, and light to investigate the nature of space in its poetic and emotive qualities and to articulately craft the boundaries and limits through the use of specific materiality, fabrications, and assemblies, the architecture of contemporary cultural practice and political expression, an architecture determined by its occupancy and use. In a post cinematic world, creative production transcends the norms of traditional media and disciplines. Not unlike the integrated practice of architecture, the practices of fine art and performing art are more often than not, combinatory in their execution and rooted in a multiplicity of references. Light and sound are the palpable materials of architectural containment and are simultaneously the prinicipal forms of its occupation. Traditional spatial composition has relied upon the surfaces of resistance and reflection; space can be understood in the dissolve and blur of the visual and the aural at the limits of perception and tactility. Current discussions in the academy and in experimental practice are focused on responsive architectures and interactive interface; the work posits the concept of generative archtiectures in terms of materials, hybrid systems, and controls through both improvised and scripted tenancies as acts of invention and innovation. In Paul Mazursky's film The Tempest, John Cassavettes plays Prospero as an architect rebuilding an a ancient amphitheatre on a Greek isle. He lifts his glasses to the darkening skies ..... the lighting flashes, the thunder roars, and the waves crash on the shore "show me the magic" Source A related resource from which the described resource is derived Un fichier numérique uniquement Date A point or period of time associated with an event in the lifecycle of the resource 2015-11-03 Publisher An entity responsible for making the resource available Université de Rouen European University of Cyprus University of Cyprus École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime) Centre Iannis Xenakis Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a> Format The file format, physical medium, or dimensions of the resource Fichier vidéo numérique, .mp4 Language A language of the resource en fr Type The nature or genre of the resource moving image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4085 Architecture Containment Occupancy Virginia Wolf Waves Xenakis https://centre-iannis-xenakis.org/files/original/e625ba8a58dc22e4fee49a56d1f37f22.pdf 63092cbd0476c6c1033098edfd424795 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ephemera Description An account of the resource Toutes publications éphémères destinées à annoncer un évènement (affiches, programmes, notes de concert) Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/21c9021a Text Une ressource qui est principalement constituée de mots destinés à être lus : livres, lettres, journaux, pièce d'archives, tapuscrits, fax, mail, manuscrits. Form Champ Form du portail de la musique contemporaine conférence genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). colloque, conférence Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Programme du colloque : Le continuum & son développement en musique et en architecture Subject The topic of the resource Musicologie Architecture -- 1945-.... Congrès et conférences Musique -- 1945-.... Rouen (Seine-Maritime) Chypre Description An account of the resource Depuis l’Antiquité et le Moyen Âge, transversalement à travers toutes les civilisations et les religions, la notion du continuum préoccupe les penseurs. Au début du XX° siècle, la théorie de la relativité a bouleversé notre vision du monde et le discours artistique. Ce bouleversement correspond aussi aux avancées technologiques et à l’épuisement du modèle romantique. C’est vers le milieu du siècle dernier que les artistes se sont emparés à leur tour de ces nouvelles notions physiques et métaphysiques pour en faire un outil de création. Iannis Xenakis donne l’exemple, en musique (structures hors-temps/en- temps, granularité du son...) comme en architecture (surfaces réglées et architecture volumétrique, polytopes...). Le continuum se trouve toujours, et plus que jamais aujourd’hui, au cœur de la pensée créatrice, donc des arts du XXI° siècle. Ce colloque international se tiendra en deux étapes distinctes : en novembre 2015 en France et en juin 2016 à Chypre. Pour cette partie en France, notre comité scientifique regroupe des représentants éminents de huit pays ; les intervenants choisis, originaires de douze pays, ouvriront assurément nos perspectives sur le sujet. La publication des actes du colloque est prévue après le second volet chypriote de 2016. Creator An entity primarily responsible for making the resource Centre Iannis Xenakis Publisher An entity responsible for making the resource available Centre Iannis Xenakis Date A point or period of time associated with an event in the lifecycle of the resource 2015-11-03 Contributor An entity responsible for making contributions to the resource Université de Rouen GRHis Université de Chypre Format The file format, physical medium, or dimensions of the resource Fichier numérique, pdf. Language A language of the resource fr en Type The nature or genre of the resource text Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/4074 Rights Information about rights held in and over the resource <a href="http://creativecommons.org/licenses/by-sa/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-sa/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) &oelig;uvre est mise &agrave; disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-sa/4.0/" rel="license">Licence Creative Commons Attribution - Partage dans les M&ecirc;mes Conditions 4.0 International</a> Continuum https://centre-iannis-xenakis.org/files/original/75792f03cec7c8e61f0d237505a1f4de.mp3 40324c8b8a8ba6eb9d7826cd1256f532 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Disques compacts Description An account of the resource CD édités ou non, gravé ou non ne contenant que des pistes audios. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 http://www.nakala.fr/collection/11280/5aa0d0eb http://www.nakala.fr/collection/11280/ec05d0f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource QR code 23 Le Fleuve du Désir III (1994) Subject The topic of the resource Musique -- 1945-...., Musique électroacoustique mixte (ensemble à cordes), Composition musicale assistée par ordinateur Description An account of the resource Enregistrement de l'oeuvre de musique &eacute;lectroacoustique mixte <em>Le Fleuve du D&eacute;sir III</em>, compos&eacute;e par Gerard Pape en 1994, pour bande UPIC et quatuor &agrave; cordes (2 violons, alto et violoncelle).<br /><br />"<em>Le Fleuve</em>, a &eacute;t&eacute; inspir&eacute; par l'observation de diverses sortes de fluides qui am&egrave;nent un imaginaire sonore : rivi&egrave;res, eau qui bout dans une casserole ainsi que par un fluide mythologique utilis&eacute; pour d&eacute;crire la mont&eacute;e et la descente du d&eacute;sir humain. [...] La restitution de ce fleuve dans mon imaginaire musical se rapproche plut&ocirc;t d'une "rivi&egrave;re au son". [...]<br />Cette pi&egrave;ce est con&ccedil;ue comme une &eacute;volution dans le temps de diff&eacute;rentes structures sonores. Elle est compos&eacute;e par de multiples niveaux de perception structurelle. [...]<br />Au niveau formel, la pi&egrave;ce &eacute;volue de l'ordre vers le d&eacute;sordre, puis revient &agrave; l'ordre." (Pape, Gerard.&nbsp;<em>Xenakis, UPIC, Continuum Electroacoustic &amp; Instrumental works from CCMIX Paris</em><span>, Mode Records,&nbsp;</span><span>livret&nbsp;p.53-54)</span><br /><br /> "This inspiration for <em>Le Fleuve</em> began with the observation of various kinds of fluids : rivers, water boiloing in a pan, and fluid of a different sort, what Freud called "libido", which is the mythological fluid that he used to describe the ebb and flow of human desire. My "river of desire" was [...] a river of sound that would flow as my musical imagination would require. [...]<br />Thi spiece involves the evolution in time of diffrent sound structures. It is concieved on multiple levels of the perception of structure. [...]<br />The macro-level of the piece is the level of order and disorder, but here I concieved the structure perceptually, not mathematically. On a formal level, the piece moves from order to disorder and back to order."&nbsp;(Pape, Gerard. <em>Xenakis, UPIC, Continuum Electroacoustic &amp; Instrumental works from CCMIX Paris</em>, Mode Records, livret p.50-51) Creator An entity primarily responsible for making the resource Pape, Gerard. Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis QR23, exposition du CIX Contributor An entity responsible for making contributions to the resource The Arditti Quartet. Interprète Rights Information about rights held in and over the resource Tous droits réservés. Format The file format, physical medium, or dimensions of the resource piste CD audio (00:12:37) Language A language of the resource en fr Type The nature or genre of the resource Son Publisher An entity responsible for making the resource available Mode records Date A point or period of time associated with an event in the lifecycle of the resource 2001 https://centre-iannis-xenakis.org/files/original/f5c5db33056e56ac38199773b14042e5.mp3 5a3a2816a2575d03800a766445c70882 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Disques compacts Description An account of the resource CD édités ou non, gravé ou non ne contenant que des pistes audios. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 http://www.nakala.fr/collection/11280/5aa0d0eb http://www.nakala.fr/collection/11280/ec05d0f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource QR code 22 Gestes de l'écrit (1994) Subject The topic of the resource Musique -- 1945-...., Musique électroacoustique, Composition musicale assistée par ordinateur Creator An entity primarily responsible for making the resource Terrugi, Daniel. Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis QR22, exposition du CIX Publisher An entity responsible for making the resource available Mode Records Date A point or period of time associated with an event in the lifecycle of the resource 2001 Rights Information about rights held in and over the resource Tous droits réservés.piste CD audio (00:09:54) Format The file format, physical medium, or dimensions of the resource piste CD audio (00:11:02) Type The nature or genre of the resource Son Language A language of the resource en fr Description An account of the resource Enregistrement de l'oeuvre &eacute;lectroacoustique&nbsp;<em>Gestes de l'&eacute;crit</em>, compos&eacute;e&nbsp;par Daniel Terrugi en 1994 sur l'UPIC.<br /><br />"L'&eacute;criture est un geste de communication, int&eacute;rieure dans certains cas, superflue dans d'autres. L'outil dessine laborieusement les signes qui nou semm&egrave;nent vers l'abstrait, prenant des formes et des chemins divers pour y parvenir.&nbsp;<br />Des gestes propres &agrave; l'outil (UPIC) conditionnent la pens&eacute;e entre l'intention et les phon&egrave;mes. J'appelle phon&egrave;mes les quelques 12 dessinns effectu&eacute;s sur l'&eacute;cran que j'ai ensuite d&eacute;form&eacute;s et modifi&eacute;s pour les combiner dans les mots ; pr&eacute;alable &agrave; la musique. [...]<br />Cette oeuvre est d&eacute;di&eacute;e &agrave; tous ceux qu iont pass&eacute; des heures, des jours et des semaines &agrave; extraire de la musique de quelques lignes jet&eacute;es sur un cadre. Ils auront r&eacute;ussi ou pas, en tout cas je me suis &eacute;norm&eacute;ment amus&eacute;." (Teruggi, Daniel<span>.&nbsp;</span><em>Xenakis, UPIC, Continuum Electroacoustic &amp; Instrumental works from CCMIX Paris</em><span>, Mode Records,&nbsp;</span><span>livret&nbsp;p.38)</span> "Writing is a gesture of communication, interior in certain cases, superfluous in others. The tool laboriously draws signs that lead towards the abstract, taking on forms and diverse paths get there.<br />The gestures proper to the tool (the UPIC) condition thinking which finds an immediacy (relative) between intention an "phonemes" those some 12 drawings made on the screen that I subsequently deformed and modified to combine them into words; prior to music. [...]<br />This work is dedicated to all those who have passed hours, days and weeks, extracting music from somelines thrown on a frame. They will have succeded or not; in any cas, I greatly enjoyed myself."&nbsp;(Teruggi, Daniel.&nbsp;<em>Xenakis, UPIC, Continuum Electroacoustic &amp; Instrumental works from CCMIX Paris</em>, Mode Records,&nbsp;livret&nbsp;p.37-38) https://centre-iannis-xenakis.org/files/original/0025b1d3291aff1c3cb218bb8ba429b7.mp3 6c601f37aa7b52042a07a53c5cdc6e19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supports audio Description An account of the resource Tout type de supports pouvant contenir du son autres que les supports informatiques. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/2cd1bdc0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource QR code 21 Saxatile (1992) Subject The topic of the resource Risset, Jean-Claude (1938-....), Musique -- 1945-...., Musique électroacoustique mixte (saxophone), Composition musicale assistée par ordinateur Creator An entity primarily responsible for making the resource Risset, Jean-Claude (1938-....). Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis QR21, exposition du CIX Publisher An entity responsible for making the resource available Mode Records Date A point or period of time associated with an event in the lifecycle of the resource 2001 Contributor An entity responsible for making contributions to the resource Kientzy, Daniel. Interprète, saxophoniste Rights Information about rights held in and over the resource Tous droits réservés. Format The file format, physical medium, or dimensions of the resource piste CD audio (00:07:53) Language A language of the resource en fr Type The nature or genre of the resource Son Description An account of the resource Enregistrement de l'oeuvre &eacute;lectroacoustique <em>Saxatile</em>, compos&eacute;e par Jean-Claude Risset en 1992 sur l'UPIC, et d&eacute;di&eacute;e &agrave; Iannis Xenakis. https://centre-iannis-xenakis.org/files/original/ded6b7fce1b95bb6c826bd4c01e48104.mp3 830eaeb0eb8a20049d53899b101ae3c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Disques compacts Description An account of the resource CD édités ou non, gravé ou non ne contenant que des pistes audios. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 http://www.nakala.fr/collection/11280/5aa0d0eb http://www.nakala.fr/collection/11280/ec05d0f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'Autel de la Perte et de la Transformation QR code 15 Creator An entity primarily responsible for making the resource Robindoré, Brigitte. Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis QR15, exposition du CIX Publisher An entity responsible for making the resource available Mode Records Date A point or period of time associated with an event in the lifecycle of the resource 2001 Language A language of the resource en fr Rights Information about rights held in and over the resource Tous droits réservés. Format The file format, physical medium, or dimensions of the resource piste CD audio (00:08:42) Subject The topic of the resource Musique -- 1945-...., Musique électroacoustique, Composition musicale assistée par ordinateur Description An account of the resource Enregistrement de l'oeuvre électroacoustique&nbsp;<em>L'Autel de la Perte et de la Transformation</em>, composée par Brigitte Robindoré en&nbsp;1993 sur l'UPIC.<br /><br />Selon Brigitte Robindoré cette oeuvre doit être considérée "comme une pièce sur le bruit - ses nuances, ses prafums, sa transparence, sa richesse et sa turbulence" : "Le monde sonore de cette pièce est l'excroissance de nombreuses heures d'écoute des sons et rythmes du mouvement du vent lorsqu'il passe au travers de différents types de feuillages et au travers des mouvements d'eau et geysers."&nbsp;<span>(Robindoré, Brigitte.&nbsp;</span><em>Xenakis, UPIC, Continuum Electroacoustic &amp; Instrumental works from CCMIX Paris</em>, Mode records,<em>&nbsp;</em><span>livret&nbsp;p.17)</span> "<em>L'Autel de la Perte et de la Transformation</em> was conceived and should be thought as a piece about noise - its nuances, flavors, transparency, richness and turbulence" : "The sonic world of this piece is the outgrowth of many hours of listening to the sounds and rhythmic motion of wind as it passes through different types of foliage and of water's movements and eruptions." (Robindoré, Brigitte. Xenakis, UPIC, <em>Continuum Electroacoustic &amp; Instrumental works from CCMIX Paris</em>, Mode Records, p.16) https://centre-iannis-xenakis.org/files/original/fe782f4e1b5c440f963acb496ee4bf14.mp3 4655c3decbe251a97d7e44bc1908f84c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Disques compacts Description An account of the resource CD édités ou non, gravé ou non ne contenant que des pistes audios. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 http://www.nakala.fr/collection/11280/5aa0d0eb http://www.nakala.fr/collection/11280/ec05d0f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource QR code 9 Eua-on-ome (1995) Creator An entity primarily responsible for making the resource Estrada, Julio (1943-....). Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis QR9, exposition du CIX Publisher An entity responsible for making the resource available Mode Records Date A point or period of time associated with an event in the lifecycle of the resource 2001 Contributor An entity responsible for making contributions to the resource SWF Orchestra of Baden-Baden. Interprète Henzold, Olaf. Chef d'orchestre Rights Information about rights held in and over the resource Tous droits réservés. Format The file format, physical medium, or dimensions of the resource piste CD audio (00:10:36) Type The nature or genre of the resource Son Description An account of the resource Enregistrement lors des Donaueschinger Musiktage de l'oeuvre pour orchestre symphonique <em>Eua'on'ome</em>, compos&eacute;e par Julio Estrada en 1995. <br /><br />Cet opus est une transcription pour orchestre de l'oeuvre &eacute;lectroacoustique <em>Eua'on&nbsp;</em>compos&eacute;e par Julio Estrada sur l'UPIC en 1980. Selon le compositeur : "<em>Eua'on'ome </em>(1995) &eacute;tend la m&eacute;thode d'enregistrement chronographique &agrave; l'ensemble des composantes du macrotimbre pour tous les instruments de l'orchestre. [...] J'ai ajout&eacute; au macrotimbre de tous les instruments l'id&eacute;e de pression dans l'&eacute;mission sonore. [...]<em>&nbsp;</em>Dans&nbsp;<em>Eua'on'ome&nbsp;</em>l'orchestre est distribu&eacute; de fa&ccedil;on peu orthodoxe : violoncelles et contrebasses devant, violons et altos au centre-milieu, les instruments &agrave; vents et les percussions au fond. Des deux c&ocirc;t&eacute;s de l'orchestre deux pianos ouverts, toujours avec p&eacute;dales, cr&eacute;ent de longues r&eacute;sonances acoustiques de l'ensemble instrumental" (Estrada, Julio.&nbsp;<em>Xenakis, UPIC, Continuum Electroacoustic &amp; Instrumental works from CCMIX Paris, Mode records,&nbsp;</em>livret&nbsp;p.35-36) "<em>Eua'on'ome</em> (1995) extends the method of chronographic recording to the ensemble of macro-timbral components of all the instruments of the orchestra. [...] I add to the idea of macro-timbre of orchestral instruments the notion of pressure in the sonic emission [...]. In&nbsp;<em>Eua'on'ome,&nbsp;</em>the orchestra is distributed in an orthodox way : cellos and basses in front, violons and violas in the middle, wind instruments and percussion in the back. On the two sides of the orchestra are two open pianos, always with the sustain pedal down, creating long acoustic resonances of the instrumental ensemble."&nbsp;(Estrada, Julio.&nbsp;<em>Xenakis, UPIC, Continuum Electroacoustic &amp; Instrumental works from CCMIX Paris,</em>&nbsp;Mode Records, p.32) Subject The topic of the resource Estrada, Julio (1943-....), Musique -- 1945-...., Orchestre, Musique d' Language A language of the resource en fr Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Disques compacts Description An account of the resource CD édités ou non, gravé ou non ne contenant que des pistes audios. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 http://www.nakala.fr/collection/11280/5aa0d0eb http://www.nakala.fr/collection/11280/ec05d0f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mycènes Alpha (1978) Myceane Alpha (1978) QR code 3 Creator An entity primarily responsible for making the resource Xenakis, Iannis (1922-2001). Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis QR3, exposition du CIX Publisher An entity responsible for making the resource available Mode Records Rights Information about rights held in and over the resource Tous droits réservés. Format The file format, physical medium, or dimensions of the resource piste CD audio (00:09:54) Language A language of the resource en fr Subject The topic of the resource Xenakis, Iannis (1922-2001) Musique -- 1945-.... Musique électroacoustique Composition musicale assistée par ordinateur Musique électroacoustique mixte Description An account of the resource <p>Enregistrement de l'oeuvre <em>Myc&egrave;nes Alpha</em>, premi&egrave;re oeuvre compos&eacute;e enti&egrave;rement sur l'UPIC par Iannis Xenakis en&nbsp;1978.<br /><br />Cet opus fut sp&eacute;cialement con&ccedil;u pour le&nbsp;<em>Polytope de Myc&egrave;nes</em>&nbsp;cr&eacute;&eacute; du 2 au 5 septembre 1978, sur les ruines de l&rsquo;acropole de Myc&egrave;nes en Gr&egrave;ce et faisait entendre les sons &eacute;lectroniques inou&iuml;s du prototype (UPIC A) d&eacute;velopp&eacute; par l&rsquo;&eacute;quipe du CEMAMu. D&eacute;sign&eacute; par Xenakis comme &laquo;&nbsp; une f&ecirc;te de lumi&egrave;re, de mouvement et de musique&nbsp; &raquo; ce Polytope se veut &ecirc;tre la synth&egrave;se des pr&eacute;c&eacute;dents spectacles multim&eacute;diatiques du compositeur. [Polytope de Montr&eacute;al&nbsp;(1967),&nbsp;Polytope de Cluny I &amp; II&nbsp;(1972-73),&nbsp;Polytope de Pers&eacute;polis&nbsp;(1971),&nbsp;Diatope&nbsp;(1978)].<br /><br />La premi&egrave;re ex&eacute;cution en France eut lieu &eacute;galement en 1978 pour un concert en hommage &agrave; Olivier Messiaen, lors d&rsquo;un cycle qui lui &eacute;tait consacr&eacute; pour son 70&egrave;me anniversaire.&nbsp; Depuis, cette &oelig;uvre jouit d&rsquo;une programmation r&eacute;guli&egrave;re lors de concerts et festivals internationaux.</p> <p class="font_8">D&rsquo;une dur&eacute;e de 9&rsquo;36&rsquo;&rsquo; minutes, cette &oelig;uvre est constitu&eacute;e de dix pages UPIC (dont une qui est r&eacute;p&eacute;t&eacute;e &agrave; l&rsquo;identique).</p> Date A point or period of time associated with an event in the lifecycle of the resource 2001 Relation A related resource <p>&ldquo;QR code 2,&rdquo; Centre Iannis Xenakis, <a href="&ldquo;QR%20code%202,&rdquo;%20Centre%20Iannis%20Xenakis,%20consult&eacute;%20le%2022%20ao&ucirc;t%202014,%20http:/www.centre-iannis-xenakis.org/items/show/668."><em>http://www.centre-iannis-xenakis.org/items/show/668</em></a>.</p> Mycenae Alpha https://centre-iannis-xenakis.org/files/original/e0dbdf04b7d22f12cf81ccbb56a82bb8.JPG 907621ae38f01f301e776001768ca357 https://centre-iannis-xenakis.org/files/original/bb9d2a20d54db27c04c36bddf78e609d.mp3 06b81d0a9c5f71fc17bb4c96243f9934 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Epitaph for George Time on time Creator An entity primarily responsible for making the resource Mumma, Gordon (1935-....). Compositeur Cacioppo, George. Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis 2518, cote BM Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:32:59) Language A language of the resource en Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique électroacoustique -- Bandes audio Musique instrumentale -- Bandes audio Orgue, Musique d' -- Bandes audio Description An account of the resource Enregistrement en concert des oeuvres <em>Epitaph for George</em> de Gordon Mumma, et <em>Time on time</em> de George Cacioppo. Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/200 https://centre-iannis-xenakis.org/files/original/cce8665be702baed767dc1a709e31586.JPG e2bf9dc7924a3bf7acd631c3b214c075 https://centre-iannis-xenakis.org/files/original/638571a8c4042626fcf4a2c9b07d7624.mp3 0ebb58a8632d9b1c0fd4a93ab4cbe406 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Piano Pieces 1-3] Epitaph for G Piano concerto Creator An entity primarily responsible for making the resource Cacioppo, George. Compositeur Mumma, Gordon (1935-....). Compositeur Brenneis, Lisa. Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis 2517, cote BM Subject The topic of the resource <p><span>Musique -- 1945-....&nbsp;-- Bandes audio</span></p> Musique électroacoustique -- Bandes audio Musique instrumentale -- Bandes audio Piano, Musique de -- Bandes audio Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:31:20) Language A language of the resource en Description An account of the resource Enregistrement en concert des oeuvres <em>Piano pieces 1-3</em> de George Cacioppo, <em>Epitaph for G</em> de Gordon Mumma (musique &eacute;lectroacoutsique), et <em>Piano concerto</em> de [Lisa Brenneis]. Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/199 https://centre-iannis-xenakis.org/files/original/4754505fb35743ccb48c8877c6efe0ce.JPG 8aa9cdbc9f186955cf62cad8db60056d https://centre-iannis-xenakis.org/files/original/ea86e71a0cf2a761284561fd46fbaf8b.mp3 af3eaa522311efe7e0870b70de5445d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holy Ghost Vacuum Creator An entity primarily responsible for making the resource Cacioppo, George. Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis 2514, cote BM Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:26:05) Language A language of the resource en Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Orgue électronique -- Bandes audio Description An account of the resource Cacioppo, George (<em>Holy Ghost Vacuum</em>) Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/196 https://centre-iannis-xenakis.org/files/original/ed735ea7cf3d8d3089ad8d11d94b7a5c.JPG 3e40507f9f30059f20a8ceff208bb0db https://centre-iannis-xenakis.org/files/original/b4f9e5e515b0bee319a8d7359ef4ddec.mp3 08e5a398861436791849244d50835bad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Sullauin improvisation] Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique instrumentale -- Bandes audio Creator An entity primarily responsible for making the resource Cacioppo, George. Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis 997, cote 93 Description An account of the resource Improvisation pour piano et flûte, piano et guitare, puis piano seul. Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:06:34) Language A language of the resource en Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/195 https://centre-iannis-xenakis.org/files/original/ab11c81fb8f4830be0cf6cb545b3f712.JPG f25cca70dd7fab18c92122d04a246ccc https://centre-iannis-xenakis.org/files/original/c8b107d4e837c6316df1a037d77c400c.mp3 34e442002fea8f7bd3f9e41f287c113d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Entropic latitudes Creator An entity primarily responsible for making the resource Cacioppo, George. Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis 996, cote 93 Date A point or period of time associated with an event in the lifecycle of the resource 1974 Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:06:12) Language A language of the resource en Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique instrumentale -- Bandes audio Description An account of the resource Cacioppo, Georges (<em>Entropic latitudes</em>) Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/193 https://centre-iannis-xenakis.org/files/original/c824b6a833ce27dc4ad099ca01951021.JPG 53af89c6de41c68d1a3e8cdf3532029b https://centre-iannis-xenakis.org/files/original/25360619490337c4a8d6a9398b50a3f9.mp3 6f4f2cf2c35f16861936e9e97bea5789 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Sinewave - twice III, bande 4 sur 6] Description An account of the resource Extrait de concert enregistr&eacute; le 2 juin 1988 &agrave; Ann Arbor &agrave; la demande de G&eacute;rard Pape. Oeuvres interpr&eacute;t&eacute;es : <em>Dream concert</em> pour orgue et percussions de George Cacioppo, et <em>Corale </em>pour violon, 2 cors et 17 cordes<em>&nbsp;</em>de Luciano Berio. Creator An entity primarily responsible for making the resource Cacioppo, George. Compositeur Berio, Luciano (1925-2003). Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis 995, cote 93 Date A point or period of time associated with an event in the lifecycle of the resource 1988-06-02 1988-11-02 Contributor An entity responsible for making contributions to the resource The Brookwood Studio, Inc Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:26:51) Language A language of the resource en Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique instrumentale -- Bandes audio Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/192 https://centre-iannis-xenakis.org/files/original/cbd343c28763234928fd2add45e6355c.JPG 6f58864c991c73533ccf4832c25ddfe5 https://centre-iannis-xenakis.org/files/original/b10c47b70358ecac0067c33998605ba1.mp3 8a48efb6c97d5489a43ce2f750033d21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Sinewave : Twice III, bande 5/6] Description An account of the resource Extrait de concert enregistr&eacute; le 1er juillet 1988 &agrave; Ann Arbor &agrave; la demande de G&eacute;rard Pape. Oeuvre interpr&eacute;t&eacute;e : <em>Heart of darkness</em> de John Carpenter. Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique instrumentale -- Bandes audio Ann Arbor (Mich.) Source A related resource from which the described resource is derived Centre Iannis Xenakis 958, cote 38 Contributor An entity responsible for making contributions to the resource The Brookwood Studio, Inc Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:33:07) Language A language of the resource en Date A point or period of time associated with an event in the lifecycle of the resource 1988-07-11 1988-11-02 Creator An entity primarily responsible for making the resource Carpenter, John. Compositeur Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/189 https://centre-iannis-xenakis.org/files/original/e9358542711951fb30a85fe3af3644fe.JPG 632cb8742e9f2cf50437c98c0ab8039d https://centre-iannis-xenakis.org/files/original/463b755aafe9486bcde446fae1e6924a.mp3 9e856dafa1aaf51617754f5300f86260 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Sinewave : Twice III, bande 1/6] Creator An entity primarily responsible for making the resource Berio, Luciano (1925-2003). Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis 956, cote 38 Date A point or period of time associated with an event in the lifecycle of the resource 1988-05-01 1988-11-02 Contributor An entity responsible for making contributions to the resource The Brookwood Studio, Inc Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique instrumentale -- Bandes audio Ann Arbor (Mich.) Description An account of the resource Extrait de concert enregistr&eacute; le 1er mai 1988, &agrave; la demande de G&eacute;rard Pape. Oeuvres interpr&eacute;t&eacute;es :&nbsp;<em>Sequenza IV&nbsp;</em>pour piano de Luciano Berio, et&nbsp;<em>Concert Suite</em> pour piano et violon. Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:30:10) Language A language of the resource en Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/185 https://centre-iannis-xenakis.org/files/original/aa700eb34517773cc5c383942b892724.JPG c9f4dc7e8c8c1ae56dd935712bedaf93 https://centre-iannis-xenakis.org/files/original/add074ef155e368a9dfde1f2605a6fae.mp3 f3399c1a3d16504d24e793bcebaf5239 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Electronic Etude 1 Electronic Etude 2 Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique électroacoustique -- Bandes audio Description An account of the resource Compositions &eacute;lectroacoustiques&nbsp;<em>Electronic Etudes 1 &amp; 2.</em> Source A related resource from which the described resource is derived Centre Iannis Xenakis 837, cote 93 Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:14:30) Language A language of the resource en Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/173 Creator An entity primarily responsible for making the resource Anonyme https://centre-iannis-xenakis.org/files/original/dcec9a6c7c85b76b54a099aa3e1fe27a.JPG 943c3ccbc133ef5daf97c68b6f43a111 https://centre-iannis-xenakis.org/files/original/77ab0a96e97c28f69245386b72ab2574.mp3 ed768f53d6de8161166d9a836af7a170 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Wolfman tape Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique électroacoustique -- Bandes audio Remix -- Bandes audio Description An account of the resource Oeuvre <em>The Wolfman</em> tape de Robert Ashley : mixage de diff&eacute;rents sons extraits du quotidien (publicit&eacute;s, g&eacute;n&eacute;rique de dessin anim&eacute;, moteur...). Creator An entity primarily responsible for making the resource Ashley, Robert (1930-2014). Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis 670, cote 82, dossier Ashley Robert Date A point or period of time associated with an event in the lifecycle of the resource 1964 Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:06:02) Language A language of the resource en Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/162 https://centre-iannis-xenakis.org/files/original/089d776bdbb8584971e56fe821c6f4c5.JPG 0aaad0febc814a564cf80dd24b223a5a https://centre-iannis-xenakis.org/files/original/2c1ef9af7cfb9724b8d4e107ea94c533.mp3 32733ea490e4512d975c86521eb516d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plectros II, Sensors I et Acufenos III Description An account of the resource Enregistrement des oeuvres Plectros<em> II&nbsp;</em>(pour piano et sons &eacute;lectroacoustiques), <em>Sensors I </em>(pour ensemble de percussions) et&nbsp;<em>Acufenos III </em>(pour fl&ucirc;te, piano et bande sonore) du compositeur Alcides Lanza. Date A point or period of time associated with an event in the lifecycle of the resource 1966 1976 1977 Creator An entity primarily responsible for making the resource Lanza, Alcides. Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis 557, cote 76, dossier Lanza Alcides Language A language of the resource en es Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique électroacoustique mixte -- Bandes audio Contributor An entity responsible for making contributions to the resource Mc Gill Percussion Ensemble. Interprète Béluse, Pierre. Chef d'orchestre Carjeuschi, Jorge. Interprète Maioli, Renato. Interprète Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:30:05) Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/160 https://centre-iannis-xenakis.org/files/original/f391daa257cb676acbcf145ec6bb83c3.JPG 81630cdaab8e011389e93c0b0f3e0624 https://centre-iannis-xenakis.org/files/original/442bb804fb91e77ca285b0bba60bd6b9.mp3 bc4bcdca760fc5c6bf7b62151020ff50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tremors Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique électroacoustique -- Bandes audio Description An account of the resource Oeuvre &eacute;lectroacoustique <em>Tremors</em> du compositeur James L. Mc Hard. Source A related resource from which the described resource is derived Centre Iannis Xenakis 534, cote 75, dossier Mc Hard Date A point or period of time associated with an event in the lifecycle of the resource 1989 1990 Language A language of the resource en Creator An entity primarily responsible for making the resource Mc Hard, James L. Compositeur Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:06:59) Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/157 https://centre-iannis-xenakis.org/files/original/ca57ff3693acc254bda95369b2fdb9b5.JPG 177ef3d3f15b6be38314cbfc2fa2ce38 https://centre-iannis-xenakis.org/files/original/d32a52f48b97d93ef96498bdfc020b84.mp3 5005851f46718020016aec1e682291bf https://centre-iannis-xenakis.org/files/original/a0e82e036b48e09a1a7b8a58c8dcbe2f.mp3 7c48b5b160d1627246232642115939fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sine Wave IX et XII Source A related resource from which the described resource is derived Centre Iannis Xenakis 492, cote BM Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Orchestre, Musique d' -- Bandes audio Musique vocale Date A point or period of time associated with an event in the lifecycle of the resource 1983 Language A language of the resource en Description An account of the resource Oeuvre pour orchestre et voix (chant en anglais et phonèmes). Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (02:23:05) Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/140 Creator An entity primarily responsible for making the resource Anonyme https://centre-iannis-xenakis.org/files/original/f767deff9594c368714ba13ebadebe25.JPG 32f737b3eb906102cb219fd588161cf1 https://centre-iannis-xenakis.org/files/original/b1371ba2ba57b880110ab48094ac6c2f.mp3 91e24d5709ac2bcb39b1b93d2e119a40 https://centre-iannis-xenakis.org/files/original/a88ae62ea9fa26d0c062c100f7367563.mp3 6869ef62818e1329e532a254cbde3d12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sine Wave X et XI Source A related resource from which the described resource is derived Centre Iannis Xenakis 491, cote BM Date A point or period of time associated with an event in the lifecycle of the resource 1983-07-17 Language A language of the resource en Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Orchestre, Musique d' -- Bandes audio Musique vocale -- Bandes audio Description An account of the resource Oeuvre pour orchestre et voix (chant en anglais et phonèmes). Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (02:40:58) Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/139 Creator An entity primarily responsible for making the resource Anonyme https://centre-iannis-xenakis.org/files/original/7c7f3a2936f6da34ed43245737b3cb48.JPG 09d2fa0f191b8a8e8ff5d418bb7a960c https://centre-iannis-xenakis.org/files/original/f44fb8ccbc70cd8fe81a7ad9fad0eec5.mp3 47e374cd5d3a08734d151a51c46fe3ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource X-Stasis Date A point or period of time associated with an event in the lifecycle of the resource 1992-09-29 Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique électroacoustique mixte -- Bandes audio Description An account of the resource Enregistrement de la partie pour bande magn&eacute;tique de l'oeuvre &eacute;lectroacoustique mixte&nbsp;<em>X-Stasis</em>&nbsp;(1992)&nbsp;du compositeur G&eacute;rard Pape. Creator An entity primarily responsible for making the resource Pape, Gerard. Compositeur Source A related resource from which the described resource is derived Centre Iannis Xenakis 488, cote 85 Language A language of the resource en Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:08:31) Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/135 https://centre-iannis-xenakis.org/files/original/02e095c2da95910b78536d10bcae8327.JPG 4ba7e0c87aeb657a2883bb5ab4c5e44f https://centre-iannis-xenakis.org/files/original/7b96663bba3d8517d160dbed13e6cb01.mp3 faba383e2e6ff4615e749cdb95f43343 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Oeuvres composées sur l'UPIC] Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique électroacoustique -- Bandes audio Composition musicale assistée par ordinateur Creator An entity primarily responsible for making the resource Eloy, Jean-Claude. Compositeur Nyst, Frédéric. Compositeur Estrada, Julio (1943-....). Compositeur Mache, François-Bernard. Compositeur Xenakis, Iannis (1922-2001). Compositeur Description An account of the resource Oeuvres &eacute;parses compos&eacute;es sur l'UPIC : <em>Points, lignes paysages</em> de Jean-Claude Eloy, <em>Rotations</em>&nbsp;de Fr&eacute;d&eacute;ric Nyst, <em>Fragment du continu</em>&nbsp;de Julio Estrada, et un extrait de&nbsp;<em>Mycenae Alpha</em>&nbsp;de Iannis Xenakis. Egalement, <em>Kotabebuchok</em> compos&eacute;e par un groupe de danseur de l'op&eacute;ra du nord, <em>Etoiles, Vent, Gr&ecirc;le, Bonshommes </em>par un groupe d'enfants,&nbsp;<em>Esp&eacute;rance cosmique</em>&nbsp;par un groupe du conservatoire, et <em>Renga</em>&nbsp;par un groupe d'adultes. Source A related resource from which the described resource is derived Centre Iannis Xenakis 482, cote BM Language A language of the resource fr en Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (00:58:59) Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/121 https://centre-iannis-xenakis.org/files/original/c33635a34329fb42543daf7f9bcbe2ef.JPG 5966ebcc3a38717a6cea0dec43f2c029 https://centre-iannis-xenakis.org/files/original/3156f473e81b1b96beee78a3781c9784.mp3 cc28337618d0ffe45325b09c812ba77a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Centre Iannis Xenakis 475, cote BM Date A point or period of time associated with an event in the lifecycle of the resource 1982-11-20 1983-02-01 Language A language of the resource en Title A name given to the resource Piano recital - New music Creator An entity primarily responsible for making the resource Warde, Ann. Compositeur Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Musique instrumentale -- Bandes audio Piano, Musique de -- Bandes audio Description An account of the resource R&eacute;cital de piano. Oeuvres interpr&eacute;t&eacute;es : <em>Inde Lines</em> d'Ann Warde, <em>Pianopicee I</em> de George Cacioppo, <em>Waiting</em> de John Cage, <em>Angklung</em> d'Anne Boyd, <em>Dimorphism</em> de Mark Setven Brooks, <em>In a landscape</em> de Johne Cage, <em>Cassiopeia</em> de George Cacioppo et <em>Outside Lines</em> d'Ann Warde. Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (01:07:59) Type The nature or genre of the resource sound recording-musical Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/103 https://centre-iannis-xenakis.org/files/original/3294fe4d2c6bfc1c5a651e9d2c23f658.pdf 6f6758ade510ae970a429011e5f482df Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paperboards Description An account of the resource Traces laissées sur support paperboard, animation de réunions, activités pédagogiques... Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/6d79de81 Text Une ressource qui est principalement constituée de mots destinés à être lus : livres, lettres, journaux, pièce d'archives, tapuscrits, fax, mail, manuscrits. Titre propre Titre tel qu'il est noté sur la ressource originale, les sauts de lignes sont matérialisés par un / LIVE ELECTRONICS [** KYMA] / "INTERACTION" [ECOSYSTEMIC] Nombre d'exemplaires Nombre d'unités physiques de l'item conservées dans les archives du CIX 1 Notes Outre correspondre à la zone 7 du pavé ISBD (zone de note) ce champ intègre toute information supplémentaire qui apporte des précisions de catalogage. Les notes servent à préciser les informations entre crochets dans les autres champs : ex : La date est déduite d'après le contenu du document. [Créateur déduit à partir de l'item 56 : écriture manuscrite semblable, reprises de références identiques] Form Champ Form du portail de la musique contemporaine document manuscrit genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). formation, stage Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Cours de composition de musique électroacoustique et assistée par ordinateur, 2] Creator An entity primarily responsible for making the resource [Di Scipio, Agostino. Compositeur] Source A related resource from which the described resource is derived Centre Iannis Xenakis 232, cote A199 Format The file format, physical medium, or dimensions of the resource paperboard, 47 p. ; 63x97 cm Language A language of the resource en Subject The topic of the resource Musique -- 1945-.... -- Étude et enseignement Théorie musicale Composition musicale assistée par ordinateur Musique électroacoustique Description An account of the resource Th&eacute;orie de composition musicale assist&eacute;e par ordinateur : histoire, principes de cr&eacute;ation et de r&eacute;ception, processus physiques et effets sonores. Illustration du cours avec les oeuvres de compositeurs tels que Jean-Claude Risset (Computer suite for <em>Little Boy</em>, 1968, inspir&eacute;e d'une pi&egrave;ce de Pierre Halet), <span>Per N&oslash;rg&aring;rd (<em>Terrains Vagues </em>et<em> Borderlines</em>), </span>Luigi Nono, Arnold Schoenberg, Rued Langaard, ainsi qu'aux travaux de recherche pluridisciplinaires de Jean-Baptiste Barri&egrave;re, Barry Truax, Johan Sundberg, Brian C.J. Moore, Perry R. Cook, Norbert Wiener et Abraham Moles. Type The nature or genre of the resource text Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/102 activité pédagogique https://centre-iannis-xenakis.org/files/original/a5580e29cfe99d7a31843fff7f333225.JPG 28b3d43563ed6a57cc88da9bc335afbf https://centre-iannis-xenakis.org/files/original/e0e67ca308a11886387db70b112a90c8.mp3 80534d0c524ba85c6a4bac0f5a196ea0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bandes magnétiques Description An account of the resource Enregistrements fixés sur bandes magnétiques contenant des captations de concerts, de colloques, ou d'enregistrements studios en lien avec les Atelier UPIC ou le CCMIX. Ces bandes ont été numérisées à des fins de conservation, les extraits sonores sont mis en ligne au fur et à mesure que le CIX obtient les autorisations des ayants droits. Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/7d4ff594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ONCE program-WCBN 2 of 2 Source A related resource from which the described resource is derived Centre Iannis Xenakis 471, cote BM Date A point or period of time associated with an event in the lifecycle of the resource 1981-07-17 Language A language of the resource en Subject The topic of the resource Musique -- 1945-.... -- Bandes audio Ashley, Robert (1930-2014) University of Michigan Ann Arbor (Mich.) Description An account of the resource <span>Emission &eacute;tudiante consacr&eacute;e au "ONCE Group", ses membres et son "Festival of New Music" &agrave; Ann Arbor dans les ann&eacute;es 60. Diffusion d'une interview de George Cacioppo, entrecoup&eacute;e d'exraits d'oeuvres :&nbsp;<em>Cassiopeia&nbsp;</em>de<em>&nbsp;</em>George&nbsp;Cacioppo, <em>The backyard</em>&nbsp;et <em>The Bar</em> de Robert Ashley, <em>Bestiary I</em> de George Cacioppo. Entretien avec Robert Ashley.</span> Contributor An entity responsible for making contributions to the resource Cacioppo, George. Interviewé Ashley, Robert. Interviewé Publisher An entity responsible for making the resource available WCBN-FM Format The file format, physical medium, or dimensions of the resource bande magnétique 1/4 inch (01:36:32) Relation A related resource &ldquo;ONCE program-WCBN 1 of 2,&rdquo; Centre Iannis Xenakis, <a href="http://www.centre-iannis-xenakis.org/items/show/104">http://www.centre-iannis-xenakis.org/items/show/104</a>. Type The nature or genre of the resource sound recording Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/99 Creator An entity primarily responsible for making the resource Anonyme activité de promotion https://centre-iannis-xenakis.org/files/original/9c4dcbaeb8eb2ff24b63192e9d93c937.jpg 10c6ef265a73260047bbbfe5021770e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Affiches du CIX Description An account of the resource Affiches des concerts, festivals ou ateliers organisés par (ou auxquels) les Ateliers UPIC, le CCMIX ou le CIX ont participé. Creator An entity primarily responsible for making the resource CIX Still image Une image statique en deux dimensions : photographie, dessin, peinture, carte, plan, affiche. Si l'objet comporte beaucoup de texte préférer l'entrée texte. Titre propre Titre tel qu'il est noté sur la ressource originale, les sauts de lignes sont matérialisés par un / new music / CONCERTS / FALL SERIES '88 Nombre d'exemplaires Nombre d'unités physiques de l'item conservées dans les archives du CIX 1 Notes Outre correspondre à la zone 7 du pavé ISBD (zone de note) ce champ intègre toute information supplémentaire qui apporte des précisions de catalogage. Les notes servent à préciser les informations entre crochets dans les autres champs : ex : La date est déduite d'après le contenu du document. Tarifs : $38 adultes, $18 étudiants/retraités Form Champ Form du portail de la musique contemporaine document imprimé genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). affiche Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource FALL SERIES '88 Source A related resource from which the described resource is derived CENTRE IANNIS XENAKIS 2526, cote A199 Date A point or period of time associated with an event in the lifecycle of the resource 1988-12-04 1988-11-06 1988-10-13 Format The file format, physical medium, or dimensions of the resource affiche, ill. en coul. ; 28x46 cm Language A language of the resource en Creator An entity primarily responsible for making the resource Zelinski, Mark. Photographe designer Subject The topic of the resource Musique -- 1945-.... -- Concerts Musique électroacoustique. -- Concerts Théorie musicale Composition musicale assistée par ordinateur Xenakis, Iannis (1922-2001) Feldman, Morton (1926-1987) Garant, Serge (1929-1986) Vivier, Claude (1948-1983) Toronto (Canada) Description An account of the resource Trois concerts de musique contemporaine propos&eacute;s au Harbourfront Centre de Toronto (Canada). Oeuvres pour plusieurs synt&eacute;htiseurs des compositeurs John Beckwith, Serge Garant, Brian Cherney et Claude Vivier. Oeuvre&nbsp;<em>Remembered</em> de Morton Feldman en hommage &agrave; Phillip Guston. Oeuvres instrumentales et &eacute;lectroacoustiques de Iannis Xenakis. Promotion de workshop, d&eacute;monstrations et concerts en sus, consacr&eacute;s &agrave; la composition musicale avec l'UPIC, du 5 au 11 d&eacute;cembre au St. George's College de Toronto.<em><br /></em> Rights Information about rights held in and over the resource Tous droits réservés. Type The nature or genre of the resource still image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/62 activité pédagogique Concert https://centre-iannis-xenakis.org/files/original/3d81819ad7362b2b70ac4665d78529c3.pdf 6f536036d0beada9aeef09e11cb7d5be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paperboards Description An account of the resource Traces laissées sur support paperboard, animation de réunions, activités pédagogiques... Identifier An unambiguous reference to the resource within a given context http://www.nakala.fr/collection/11280/6d79de81 Text Une ressource qui est principalement constituée de mots destinés à être lus : livres, lettres, journaux, pièce d'archives, tapuscrits, fax, mail, manuscrits. Format original Type de l'objet (photographie, dessin, CD-R, DAT, etc), couleur ou noir et blanc Paperboard Notes Outre correspondre à la zone 7 du pavé ISBD (zone de note) ce champ intègre toute information supplémentaire qui apporte des précisions de catalogage. Les notes servent à préciser les informations entre crochets dans les autres champs : ex : La date est déduite d'après le contenu du document. 49 pages de cours avec des sh&eacute;mas, des calculs, des valeurs et dimensions. Pages 3, 4 et 5 sont en tr&egrave;s mauvais &eacute;tat. <br />[Cr&eacute;ateur d&eacute;duit d'apr&egrave;s l'adresse mail not&eacute;e page 11] <br /><br /><br /> Nombre d'exemplaires Nombre d'unités physiques de l'item conservées dans les archives du CIX 1 Form Champ Form du portail de la musique contemporaine document manuscrit genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). formation, stage Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived CIX A193, cote 2523 Title A name given to the resource [Cours de composition de musique électroacoustique et assistée par ordinateur] Creator An entity primarily responsible for making the resource [Di Scipio, Agostino. Compositeur] Format The file format, physical medium, or dimensions of the resource paperboard, 49 p. ; 63x97 cm Language A language of the resource en fr Subject The topic of the resource Musique -- 1945-.... -- Etudes et enseignement Théorie musicale Composition musicale assistée par ordinateur Musique électroacoustique -- Histoire et critique Informatique -- Appareils et matériel Description An account of the resource Th&eacute;orie de composition musicale assist&eacute;e par ordinateur : histoire, mat&eacute;riel existant (KYMA...), principes d'utilisation, processus physiques et effets sonores. Illustration avec les oeuvres de compositeurs tels que Jo&euml;l Chadabe, Trevor Wishart, Heinrcih Strobel, John Chowning (<em>Stria</em>, 1977), Jean-Claude Risset (<em>Computer suite for Little Boy,&nbsp;</em>1968, inspir&eacute;e d'une pi&egrave;ce de Pierre Halet), Michel Fano (compositeur des partitions sonores pour les films d'Alain Robe-Grillet), entre autres. Type The nature or genre of the resource text Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/56 activité pédagogique https://centre-iannis-xenakis.org/files/original/ba54a7de030f142ad80c726236c88180.jpg 379bbea5baea7ba4dd39e844b7af0054 Still image Une image statique en deux dimensions : photographie, dessin, peinture, carte, plan, affiche. Si l'objet comporte beaucoup de texte préférer l'entrée texte. Titre propre Titre tel qu'il est noté sur la ressource originale, les sauts de lignes sont matérialisés par un / Scores / Partitions Format original Type de l'objet (photographie, dessin, CD-R, DAT, etc), couleur ou noir et blanc Affiche, couleur Nombre d'exemplaires Nombre d'unités physiques de l'item conservées dans les archives du CIX 3 Notes Outre correspondre à la zone 7 du pavé ISBD (zone de note) ce champ intègre toute information supplémentaire qui apporte des précisions de catalogage. Les notes servent à préciser les informations entre crochets dans les autres champs : ex : La date est déduite d'après le contenu du document. Signature de Pierre Bernard en bas à droite de l'affiche. Durée des deux oeuvres indiquée sous chaque dessin. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scores Partitions Source A related resource from which the described resource is derived Centre Iannis Xenakis 2513, cote A199 Format The file format, physical medium, or dimensions of the resource 22x66 cm Language A language of the resource fr en Contributor An entity responsible for making contributions to the resource Bernard, Pierre. Compositeur Subject The topic of the resource Musique -- 1945-.... -- Concerts Composition musicale assistée par ordinateur Musique électroacoustique -- Concerts Description An account of the resource Partitions graphiques des oeuvres <em>Ham Sa&nbsp;</em>et&nbsp;<em>So</em><em>lar</em>&nbsp;dessin&eacute;es par le compositeur Pierre Bernard sur l'UPIC. Creator An entity primarily responsible for making the resource Anonyme https://centre-iannis-xenakis.org/files/original/d945ac1394abb1c2a5bf61619d4fe1c7.jpg 42e79ae38f0d68cc94a5b94ead5da6a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Affiches du CIX Description An account of the resource Affiches des concerts, festivals ou ateliers organisés par (ou auxquels) les Ateliers UPIC, le CCMIX ou le CIX ont participé. Creator An entity primarily responsible for making the resource CIX Still image Une image statique en deux dimensions : photographie, dessin, peinture, carte, plan, affiche. Si l'objet comporte beaucoup de texte préférer l'entrée texte. Titre propre Titre tel qu'il est noté sur la ressource originale, les sauts de lignes sont matérialisés par un / 1989 TWICE FESTIVAL OF CONTEMPORARY MUSIC / TWICE FESTIVAL IV: George Crumb, Iannis Xenakis, guest composers / CONCERT I CONCERT II CONCERT III Nombre d'exemplaires Nombre d'unités physiques de l'item conservées dans les archives du CIX 17 Notes Outre correspondre à la zone 7 du pavé ISBD (zone de note) ce champ intègre toute information supplémentaire qui apporte des précisions de catalogage. Les notes servent à préciser les informations entre crochets dans les autres champs : ex : La date est déduite d'après le contenu du document. All tickets : $ 10.00 ; $ 5.00 Students and Seniors. Partenaires : National Endowment for the Arts, Michigan Council for the Arts et Arts Midwest 10 mars : Direction, Richard Rosenberg 11 et 12 mars : Ensembles invit&eacute;s, Arditti String Quartet et Arditti Quartet Illustration sur l'affiche : reproduction de l'illustration de Iannis Xenakis figurant sur la partition de l'oeuvre <em>Mycenae-Alpha</em> aux &eacute;ditions Salabert. Form Champ Form du portail de la musique contemporaine document imprimé genre La liste des valeurs légales du conteneur <genre> reconnues par le Portail est la suivante. Les termes doivent être mentionnés à l'identique (casse, espaces, langue). Aucune sous-chaîne n'est légale. Les caractères doivent se conformer à l'ASCII et ne pas comprendre les caractères accolés (à la place d'"œ" il faut utiliser "oe") ou d'apostrophe à la française (utiliser l'apostrophe droite). affiche Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1989 TWICE FESTIVAL OF CONTEMPORARY MUSIC Source A related resource from which the described resource is derived Centre Iannis Xenakis 2508, cote A199 Date A point or period of time associated with an event in the lifecycle of the resource 1989-03-12 1989-03-11 1989-03-10 Format The file format, physical medium, or dimensions of the resource affiche, ill. en coul. ; 44x56 cm Language A language of the resource en Contributor An entity responsible for making contributions to the resource Xenakis, Iannis. Illustrateur Subject The topic of the resource Musique -- 20e siècle -- Concerts Quatuors -- Concerts Ann Arbor (Mich.) Description An account of the resource Trois concerts de musique ayant eu lieu &agrave; la First Congregational Chruch &agrave; Ann Arbor. Premi&egrave;res aux Etats-Unis des oeuvres de Iannis Xenakis : <em>Waarg&nbsp;</em>le 10 mars 1989,&nbsp;<em>Akea&nbsp;</em>le 11 mars et&nbsp;<em>Tauriphanie</em> le 12 mars. Egalement, premi&egrave;res aux Etats-Unis de l'oeuvre&nbsp;<em>Zeitgeist</em> de Georges Crumb le 11 mars, et de&nbsp;<em>Vortex</em> de Gerard Pape le 12 mars. Autres oeuvres de Crumb, Wilson, Albright, Carpenter et Heitler.<em><br /></em> Rights Information about rights held in and over the resource Tous droits réservés. Type The nature or genre of the resource still image Identifier An unambiguous reference to the resource within a given context http://www.centre-iannis-xenakis.org/items/show/48 Creator An entity primarily responsible for making the resource Anonyme Concert