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https://centre-iannis-xenakis.org/files/original/17739ec516438e54cc3f1edf8b7fbb8b.mp4
faf40c94f90e013e89ab1aa5d1430f64
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Supports vidéos
Description
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Images animées : documentaires vidéo, reportages, témoignages.
Identifier
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
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Duration
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34 minutes 45 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Researching the Philosophy, Music, and Being of Xenakis’ Work from the I Ching Perspective
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
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Yu, Yin. Conférencière
European University of Cyprus
Contributor
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Novak, Marcos. Modérateur
Hadjichristos, Christos. Intervenant
Ham, Jeremy. Intervenant
Lieberman, David. Intervenant
Kanach, Sharon (1957-....). Intervenante
Subject
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Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Description
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In 1991, a stochastic music piece called Gendy3 was produced entirely by a computer program written by the composer Iannis Xenakis at CEMAMu. In his words, Xenakis asked "What is a composer? A thinker and plastic artist who expresses himself through sound being." We now can hear computer generated sounds that we were incapable of imagining before. The relations between human beings and music has been changed, from human control to digital control. In this research, I will deal with the following questions: Can new music help to enhance our epistemology of the universe? Can new music change our perceptions of the relations between human beings and music?
Xenakis adopts a western-scientific approach on composing his music. I Ching, on the other hand, from the East, is the object of more discussion and comprehension with the help of the development of mathematics and science. I will compare Xenakis’s approach and the I Ching to answer the above questions in three parts: philosophy, music, and human beings.
Conclusion
As the discussion above, a strong correlation between the western scientific approach on music and the eastern mysterious web of signs of math has appeared. To find out the concrete answer, a physical space with experimental music could be taken as a tool to take future steps on this analysis.
Source
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Un fichier numérique uniquement
Date
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2016-06-14
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
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<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
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en
Type
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moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4106
I Ching
Mathematics
Music
Philosophy