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Keynote lecture.

An overview of Giacinto Scelsi's creative process, music and writings, focussing on the importance he gives to sound and particularly unisson. Could this be the "imprint" he has left on our musical continuum? Specific examples are given where…

The underlying idea that noise and silence may constitute the two ends of the same continuum is the subject of our research. Noise and silence are examined as notions beyond their strict sense of the word; their expanded connotation reflects on…

At first glance, the modern city constitutes a continuing united system in space-time. Roads, buildings, open spaces comprise the idea of urban structure into an interwoven system. On second thought, contemporary cities are seen as townscapes…

In his book «Revealing Architectural Design: Methods, Frameworks and Tools”, Philip Plowright explains that every knowledge coming from an external discipline needs to be translated in order to be used as a designs principle in other discipline. This…

In the same way that the Cosmatesque floors in San Benedetto in Piscinula affect
the way one interacts with the space consciously or subconsciously, Norman’s use of
palindromic musical gesture give a structure through which to process movement…

A later work (1966), the holiday house Xenakis designed for a musician, his friend F.B. Mâche, the only work realized in Greece (Xenakis and...Plato’s homeland), does not seem to exhibit the Pavilion's formal continuity: arranged in five independent…

In 1978 Xenakis created at the Acropolis of Mycenae a unique event -in multiple places (polytopon)- a participatory art spectacle for the masses with music and poetry, audiovisual effects, soundscapes with human and animal voices and bells with…

A personal journey exploring the interdisciplinary nature of inspiration.