1
400
8
-
https://centre-iannis-xenakis.org/files/original/f580f21884c093f83f5d0bd95e9c0112.mp4
3e5cf4280b32ecbcba2970aaf5bb205a
Dublin Core
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Title
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Supports vidéos
Description
An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
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123 minutes 12 seconds
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Title
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The Allography machine
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
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Economou, Athanassios. Conférencier
European University of Cyprus
Contributor
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Novak, Marcos. Modérateur
Kavallaris, Faidros. Intervenant
Sammoutis, Evis. Intervenant
Lieberman, David. Intervenant
Lanzilotti, Anne. Intervenant
Parthenios, Panagiotis. Intervenant
Vasquez Hadjilyra, Aswaldo Emiddio. Intervenant
Kanach, Sharon (1957-....). Intervenante
Hadjichristos, Christos. Intervenant
Chatzopoulou, Nicoleta. Intervenant
Kavallaris, Faidros. Intervenant
Subject
The topic of the resource
Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Description
An account of the resource
Architectural and music computational models have profoundly affected the ways we describe, interpret and evaluate existing architectural and musical works as well as the ways we design new works in both domains. Two aspects of these computational models – representation and process (rules) are considered here to foreground similarities and differences between the two art worlds. A new computational model, the allography machine, is considered in the end as an rule-based visual tool for making graphical/spatial compositions in both domains.
Source
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Un fichier numérique uniquement
Date
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2016-06-14
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
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Information about rights held in and over the resource
<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
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en
Type
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moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4111
Architecture
Computational models
Music
process
Representation
-
https://centre-iannis-xenakis.org/files/original/847925bd86a6a5943087e9e9d5bcb879.mp4
11b7c129f95ac3154f7f97dcb24efb2f
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Title
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Supports vidéos
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An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
Toutes images de type vidéos, animations, reportages.
Duration
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40 minutes 50 seconds
Dublin Core
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Title
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Out of the Flames
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
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Freedman, Lori (1958-....). Conférencière
European University of Cyprus
Contributor
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Novak, Marcos. Modérateur
Sammoutis, Evis. Intervenant
Hadjichristos, Christos. Intervenant
Economou, Athanassios. Intervenant
Kavallaris, Faidros. Intervenant
Ham, Jeremy. Intervenant
Subject
The topic of the resource
Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Source
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Un fichier numérique uniquement
Date
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2016-06-14
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
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Information about rights held in and over the resource
<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
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en
Type
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moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4109
Description
An account of the resource
A sonic inquiry into the multi-faceted, poly-temporal relationship between improvisation and composition. Solo Bass Clarinet perfrmances and discussions: Out of the Flames (Lori Freedman, 2016) and The Library on Fire (Paul Steenhuisen, 2015).
Composer-performer collaboration
Extended techniques
Improvisation
Paul Steenhuisen
-
https://centre-iannis-xenakis.org/files/original/e60b0bfc958f8f9225c7e4a08284a903.mp4
d1d0237bfd5bb81c244bd6f9279f6c85
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Title
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Supports vidéos
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An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
Toutes images de type vidéos, animations, reportages.
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Title
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The Sound of These Waves
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
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Lieberman, David. Conférencier
European University of Cyprus
Contributor
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Economou, Athanassios. Modérateur
Subject
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Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Source
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Un fichier numérique uniquement
Date
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2016-06-14
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
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Information about rights held in and over the resource
<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
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en
Type
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moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4108
Description
An account of the resource
Presentation of the complete film "the Sound of these Waves" by David Lieberman, first presented in Rouen during the Continuum conference there in November 2015.
-
https://centre-iannis-xenakis.org/files/original/ac3c134a05692111f8323635378cbe2e.mp4
0e7e9a24ad8568927ebc97188f0560ab
Dublin Core
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Title
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Supports vidéos
Description
An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
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http://www.nakala.fr/collection/11280/c21b4e9f
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31 minutes 43 seconds
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Granulation and layering: Xenakis's Polytopes and Moholy Nagy's Light-Space Modulator
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
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Hadjivasili, Maria. Conférencière
Hadjichristos, Christos. Co-auteur
European University of Cyprus
Contributor
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Novak, Marcos. Modérateur
Hadjichristos, Christos. Intervenant
Kanach, Sharon (1957-....). Intervenante
Lieberman, David. Intervenant
Subject
The topic of the resource
Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Source
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Un fichier numérique uniquement
Date
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2016-06-14
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
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<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
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en
Type
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moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4107
Description
An account of the resource
This paper looks at how sound, light and shadow performances could be achieved by the method of granulation and layering as demonstrated by the work of Iannis Xenakis and Laszlo Moholy Nagy. The similarities as well as the differences in the two approaches are suggestive of the potentialities of such a design methodology.
Architecture
Granulation
Layering
Light
Sound
-
https://centre-iannis-xenakis.org/files/original/17739ec516438e54cc3f1edf8b7fbb8b.mp4
faf40c94f90e013e89ab1aa5d1430f64
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Title
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Supports vidéos
Description
An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
Identifier
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
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34 minutes 45 seconds
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Researching the Philosophy, Music, and Being of Xenakis’ Work from the I Ching Perspective
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
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Yu, Yin. Conférencière
European University of Cyprus
Contributor
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Novak, Marcos. Modérateur
Hadjichristos, Christos. Intervenant
Ham, Jeremy. Intervenant
Lieberman, David. Intervenant
Kanach, Sharon (1957-....). Intervenante
Subject
The topic of the resource
Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Description
An account of the resource
In 1991, a stochastic music piece called Gendy3 was produced entirely by a computer program written by the composer Iannis Xenakis at CEMAMu. In his words, Xenakis asked "What is a composer? A thinker and plastic artist who expresses himself through sound being." We now can hear computer generated sounds that we were incapable of imagining before. The relations between human beings and music has been changed, from human control to digital control. In this research, I will deal with the following questions: Can new music help to enhance our epistemology of the universe? Can new music change our perceptions of the relations between human beings and music?
Xenakis adopts a western-scientific approach on composing his music. I Ching, on the other hand, from the East, is the object of more discussion and comprehension with the help of the development of mathematics and science. I will compare Xenakis’s approach and the I Ching to answer the above questions in three parts: philosophy, music, and human beings.
Conclusion
As the discussion above, a strong correlation between the western scientific approach on music and the eastern mysterious web of signs of math has appeared. To find out the concrete answer, a physical space with experimental music could be taken as a tool to take future steps on this analysis.
Source
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Un fichier numérique uniquement
Date
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2016-06-14
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
Rights
Information about rights held in and over the resource
<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
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en
Type
The nature or genre of the resource
moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4106
I Ching
Mathematics
Music
Philosophy
-
https://centre-iannis-xenakis.org/files/original/a29dcac5303abb78a5840abf7e4469ad.mp4
9115794adb254e41c3d1168a6ce087f5
Dublin Core
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Title
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Supports vidéos
Description
An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
Identifier
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
Toutes images de type vidéos, animations, reportages.
Duration
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31 minutes 33 seconds
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Title
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The genesis of structure: A narrative description of F. Romitelli’s Yellow, Green and Blue
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
An entity primarily responsible for making the resource
Dimou, Stylianos. Conférencier
European University of Cyprus
Contributor
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Economou, Athanassios. Modérateur
Sammoutis, Evis. Intervenant
Subject
The topic of the resource
Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Description
An account of the resource
In this paper I will present an analysis of Fausto Romitelli’s piece Yellow, Green and Blue aiming for the realization of the driving forces that forge the structural shape of the piece. I will primarily focus on selected concepts and ideas that could shed light on a more thorough understanding of such musical forces that not only affect the shaping of the musical form but could possibly suggest a more crucial reasoning on the understanding and listening experience of the piece. In addition to that I will address the question of syntactic coherence and sonic unity in a work of such plasticity, where discrete units such as motive, phrase, etc. are not particularly helpful terms in a sonic landscape which has to do more with sculpting of large masses of sound. F. Romitelli describes characteristically: “At the center of [his] composing lies the idea of considering sound as a material into which one plunges in order to forge its physical and perceptive characteristics: grain, thickness, porosity, luminosity, density and elasticity. Hence it is sculpture of sound, instrumental synthesis, anamorphosis, transformation of the spectral morphology, and a constant drift towards unsustainable densities, distortions and interferences, thanks also to the assistance of electro-acoustic technologies”.
The theoretical background of my analysis is intertwined with the ideas of Ms. Livia Theodorescu-Ciocanea that are thoroughly presented at her paper titled as “Timber Versus Spectralism. Ms. Theodorescu-Ciocanea describes nine different compositional tendencies in Spectral Music: Spectralism as timbral metaphor, mimetic Spectralism, Spectralism as heterophony, Spectralism and modality, Spectralism as an archetypal approach, etc. Considering such tendencies as an important point of departure, I created a theoretical - empirical model of analysis for the better comprehension and interpretation of the sounding components and gestural interconnections in Romitelli’s music.
My model comprises three hierarchical levels. The first level, “Pitch context /Harmony”, deals with the identification of pitch complexes and/or harmonic fields, intervallic schemas and the interaction of the harmonic and inharmonic spectra of the piece. The second level, “Motion/Procedure or (Musical Operations)” illustrates the means that determine the “behavior” and the shaping – pacing, formation – of the sound. The combination of the aforementioned is interpreted, in level III, as “Musical gesture”. I consider this to describe the shaping and directionality that the “sound energy” takes, in the micro and macro structural levels on the piece. Consequently, the proposed analytical discourse highlights the subtle transition from the harmonic-inharmonic elements through the way that they are formulated and shaped, leading to their sonic depiction and/or gestural formation reaching finally their structural instantiation into the music. The ultimate goal is the internal analysis and understanding of the gestural forces, their imminent effect on the sound and structure resulting in the formation and realization of larger structural levels of the piece. Each level of my analytical model will contribute to the broaden clarification of all the sonic/gestural events highlighting the reasoning behind the sonic energy that formulates the global structural shape of the piece.
Source
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Un fichier numérique uniquement
Date
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2016-06-14
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
Rights
Information about rights held in and over the resource
<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
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en
Type
The nature or genre of the resource
moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4105
Fausto
Gesture
Livia Theodorescu-Ciocanea
Romitelli
Structure
Timbre
-
https://centre-iannis-xenakis.org/files/original/39798249c296884100cdb224682fe084.mp4
f50bd108e9557a21a2cb475235c6c6d3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Supports vidéos
Description
An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
Identifier
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
Toutes images de type vidéos, animations, reportages.
Duration
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38 minutes 31 seconds
Dublin Core
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Title
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Musico-Spatial Design Research within the Continuum of Performance, Practice and the Academy
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
An entity primarily responsible for making the resource
Ham, Jeremy. Conférencier
European University of Cyprus
Contributor
An entity responsible for making contributions to the resource
Economou, Athanassios. Modérateur
Lieberman, David. Intervenant
Novak, Marcos. Intervenant
Lanzilotti, Anne. Intervenante
Subject
The topic of the resource
Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Description
An account of the resource
The presentation brings together reflections on the continuum of Performance, Practice and the Academy that aims to address the wider interdisciplinary intentions of Iannis Xenakis. We reflect on the musical and spatial design synergies generated through design research within the three modalities of Performance, Practice and the Academy. ‘Design research’ as ‘researching through design (Downton 2003)’ provides a platform for creative practitioners to generate knowledge through their practice. The author will focus on a selection of his activities over twenty-five years as a musician (Performance), architect (Practice) and researcher (the Academy) seeking to cross-reference and find synergies between domains
PERFORMANCE: The ImprovScope Project
Whilst there has been intense examination of the continuum of music and architecture in relation to the outcome of musico-spatial design processes in the work of architects such as Xenakis , this creative research focuses away from the ‘product’ towards the actual creative process.
This research operates within the modality of ‘research through design (Downton 2003)’ at RMIT University Spatial Information Architecture Laboratory Sound Studios. The ‘ImprovScope’ project involves first-person explorations of the author’s improvisations on the electronic drum kit. This scoping out of the authors’ solo improvisational capacities will serve as the basis for musical compositions and creative works (See https://soundcloud.com/jjham/tripscapes) and is founded on improvisation as a vehicle through which to generate massive amounts of musical output. Improvisations are recorded in MIDI across three contexts: Beat and Fill; Drum Solo and Studio Beats, template at 100 BPM for 100 beats.
The project discusses the application of a spatial design parametric framework that offers affordance (Gibson 1979) to mediating a theoretical ‘musico-perspectival hinge (from Pérez-Gómez and Pelletier (1997)). The presentation contends that musicians who may be limited in their understanding of their music because of an inability to read, and in particular those who may be dominant in the visual-spatial thinking insights into the attributes that constitute their style. Through plan, section, elevation, axonometric projections and, ultimately, through 3D printing, drum based music is examined.
PRACTICE
This element of the presentation discusses the application of the ‘Y Condition (Martin 1994)’ within the design of the author’s own house at Bells Beach, Australia. Concepts of music, including Golden Section geometry, overlays of beat structures in window fenestration and metaphorical references to searing guitar solo’s are embodied within this built work. This element of the paper will discuss how musical concepts must, in the real world, be reconciled against pragmatic, regulatory and construction issues.
THE ACADEMY
The author reflects on a 16-year architectural design academic career and his current role in exploring musico-spatial design connections through design research. The Music Room project is discussed, wherein second year architectural design students were required to compose a ‘musique concrete’ piece, design a ‘Music Room’ space to listen to this, and construct a selection of these at 1;1. This project was run over a period of five years, resulting in around fifty projects being constructed.
Source
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Un fichier numérique uniquement
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-06-14
Publisher
An entity responsible for making the resource available
Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
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<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
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Fichier vidéo numérique, .mp4
Language
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en
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4104
-
https://centre-iannis-xenakis.org/files/original/3157ec71f0278f3542ec1990d962f30f.mp4
b3af8839b959d214c7d3fcad70b499a3
Dublin Core
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Title
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Supports vidéos
Description
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Images animées : documentaires vidéo, reportages, témoignages.
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
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46 minutes 05 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Sound and Homeomorphisms
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
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Vasquez Hadjilyra, Oswald Emiddio. Conférencier
European University of Cyprus
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Economou, Athanassios. Modérateur
Kanach, Sharon (1957-....). Intervenante
Sammoutis, Evis. Intervenant
Novak, Marcos. Intervenant
Subject
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Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Description
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There is a superficial, and yet fundamental paradox at the core of Xenakis' work: whilst being the creator of atomised sound (granular synthesis) he was also preoccupied with sound's continuity; or later on his career, while he openly promoted the techniques offered by digital synthesis (i.e. UPIC) he was critical of harmonic analysis and the synthesis derived from Fourier Transforms.
At a first glance, these positions may appear incompatible and incommensurable, but considering Xenakis' full awareness of the implicit problems in the aforementioned domains, this presentation would like to argue for possible ways that this fissure is in fact justifiable, by alluding to topological operations that reconcile the analog and the digital.
More specifically, the argument will mainly be exemplified in a transdisciplinary way by presenting personal work, in which rendered images taken from a parametrically designed piece of marble (designed by Arch-T) were used to as a compositional tool. The operations to and from the rendered images to the raw sound can be loosely defined mathematically as topological homeomorphisms.
Source
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Un fichier numérique uniquement
Date
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2016-06-14
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
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<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
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Fichier vidéo numérique, .mp4
Language
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en
Type
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moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4103
Fourier Transform
Granular Synthesis
Parametricism
Topology
UPIC