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the way one interacts with the space consciously or subconsciously, Norman’s use of&#13;
palindromic musical gesture give a structure through which to process movement through&#13;
time. Both challenge the observer through zooming in on the specific design/pattern of&#13;
the materials to trust in the actual and symbolic experience of marching through time. It&#13;
is only through “outside time made possible by memory” that one perceives patterns, and&#13;
hopes to move forward. This is the spirituality reflection: forcing one to focus on time&#13;
itself, the symmetries of experience, and what is to come.</text>
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