1
400
6
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Supports vidéos
Description
An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
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39 minutes 19 seconds
Dublin Core
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Title
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Andrew Norman's The Companion Guide to Rome: Influence of Architecture and Visual Art on Composition
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
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Lanzilotti, Anne. Conférencière
University of Cyprus
Contributor
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Lieberman, David. Modérateur
Kanach, Sharon (1957-....). Intervenante
Freedman, Lori (1958-....). Intervenante
Economou, Athanassios. Intervenant
Kavallaris, Faidros. Intervenant
Subject
The topic of the resource
Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Description
An account of the resource
In the same way that the Cosmatesque floors in San Benedetto in Piscinula affect
the way one interacts with the space consciously or subconsciously, Norman’s use of
palindromic musical gesture give a structure through which to process movement through
time. Both challenge the observer through zooming in on the specific design/pattern of
the materials to trust in the actual and symbolic experience of marching through time. It
is only through “outside time made possible by memory” that one perceives patterns, and
hopes to move forward. This is the spirituality reflection: forcing one to focus on time
itself, the symmetries of experience, and what is to come.
Source
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Un fichier numérique uniquement
Date
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2016-06-13
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
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<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
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en
Type
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moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4097
Andrew Norman
Architecture
Combinatorics
Cosmateque mosaics
Extended techniques
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Supports vidéos
Description
An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
Identifier
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
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127 minutes 52 seconds
Dublin Core
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Title
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ArchiMusic: from Polytopes to Allotopes
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
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Novak, Marcos. Conférencier
University of Cyprus
Contributor
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Hadjichristos, Christos. Modérateur
Lieberman, David. Intervenant
Economou, Athanassios. Intervenant
Vasquez Hadjilyra, Oswald Emiddio. Intervenant
Ham, Jeremy. Intervenant
Kanach, Sharon (1957-....). Intervenante
Lanzilotti, Anne. Intervenante
Kavallaris, Faidros. Intervenant
Subject
The topic of the resource
Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Description
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Keynote lecture.
Source
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Un fichier numérique uniquement
Date
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2016-06-13
Publisher
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Centre Iannis Xenakis
University of Cyprus
European University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
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<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
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en
Type
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moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4102
Cognition
Continuum
Creativity
Cyberspace
Extreme Intermedia
Polytopes
Technology
Xenakis
-
https://centre-iannis-xenakis.org/files/original/3157ec71f0278f3542ec1990d962f30f.mp4
b3af8839b959d214c7d3fcad70b499a3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Supports vidéos
Description
An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
Identifier
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
Toutes images de type vidéos, animations, reportages.
Duration
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46 minutes 05 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Sound and Homeomorphisms
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
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Vasquez Hadjilyra, Oswald Emiddio. Conférencier
European University of Cyprus
Contributor
An entity responsible for making contributions to the resource
Economou, Athanassios. Modérateur
Kanach, Sharon (1957-....). Intervenante
Sammoutis, Evis. Intervenant
Novak, Marcos. Intervenant
Subject
The topic of the resource
Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Description
An account of the resource
There is a superficial, and yet fundamental paradox at the core of Xenakis' work: whilst being the creator of atomised sound (granular synthesis) he was also preoccupied with sound's continuity; or later on his career, while he openly promoted the techniques offered by digital synthesis (i.e. UPIC) he was critical of harmonic analysis and the synthesis derived from Fourier Transforms.
At a first glance, these positions may appear incompatible and incommensurable, but considering Xenakis' full awareness of the implicit problems in the aforementioned domains, this presentation would like to argue for possible ways that this fissure is in fact justifiable, by alluding to topological operations that reconcile the analog and the digital.
More specifically, the argument will mainly be exemplified in a transdisciplinary way by presenting personal work, in which rendered images taken from a parametrically designed piece of marble (designed by Arch-T) were used to as a compositional tool. The operations to and from the rendered images to the raw sound can be loosely defined mathematically as topological homeomorphisms.
Source
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Un fichier numérique uniquement
Date
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2016-06-14
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
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Information about rights held in and over the resource
<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
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en
Type
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moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4103
Fourier Transform
Granular Synthesis
Parametricism
Topology
UPIC
-
https://centre-iannis-xenakis.org/files/original/17739ec516438e54cc3f1edf8b7fbb8b.mp4
faf40c94f90e013e89ab1aa5d1430f64
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Supports vidéos
Description
An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
Identifier
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
Toutes images de type vidéos, animations, reportages.
Duration
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34 minutes 45 seconds
Dublin Core
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Title
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Researching the Philosophy, Music, and Being of Xenakis’ Work from the I Ching Perspective
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
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Yu, Yin. Conférencière
European University of Cyprus
Contributor
An entity responsible for making contributions to the resource
Novak, Marcos. Modérateur
Hadjichristos, Christos. Intervenant
Ham, Jeremy. Intervenant
Lieberman, David. Intervenant
Kanach, Sharon (1957-....). Intervenante
Subject
The topic of the resource
Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Description
An account of the resource
In 1991, a stochastic music piece called Gendy3 was produced entirely by a computer program written by the composer Iannis Xenakis at CEMAMu. In his words, Xenakis asked "What is a composer? A thinker and plastic artist who expresses himself through sound being." We now can hear computer generated sounds that we were incapable of imagining before. The relations between human beings and music has been changed, from human control to digital control. In this research, I will deal with the following questions: Can new music help to enhance our epistemology of the universe? Can new music change our perceptions of the relations between human beings and music?
Xenakis adopts a western-scientific approach on composing his music. I Ching, on the other hand, from the East, is the object of more discussion and comprehension with the help of the development of mathematics and science. I will compare Xenakis’s approach and the I Ching to answer the above questions in three parts: philosophy, music, and human beings.
Conclusion
As the discussion above, a strong correlation between the western scientific approach on music and the eastern mysterious web of signs of math has appeared. To find out the concrete answer, a physical space with experimental music could be taken as a tool to take future steps on this analysis.
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Un fichier numérique uniquement
Date
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2016-06-14
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
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<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
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en
Type
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moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4106
I Ching
Mathematics
Music
Philosophy
-
https://centre-iannis-xenakis.org/files/original/ac3c134a05692111f8323635378cbe2e.mp4
0e7e9a24ad8568927ebc97188f0560ab
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Supports vidéos
Description
An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
Identifier
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
Toutes images de type vidéos, animations, reportages.
Duration
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31 minutes 43 seconds
Dublin Core
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Title
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Granulation and layering: Xenakis's Polytopes and Moholy Nagy's Light-Space Modulator
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
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Hadjivasili, Maria. Conférencière
Hadjichristos, Christos. Co-auteur
European University of Cyprus
Contributor
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Novak, Marcos. Modérateur
Hadjichristos, Christos. Intervenant
Kanach, Sharon (1957-....). Intervenante
Lieberman, David. Intervenant
Subject
The topic of the resource
Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Source
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Un fichier numérique uniquement
Date
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2016-06-14
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
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<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
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en
Type
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moving image
Identifier
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http://www.centre-iannis-xenakis.org/items/show/4107
Description
An account of the resource
This paper looks at how sound, light and shadow performances could be achieved by the method of granulation and layering as demonstrated by the work of Iannis Xenakis and Laszlo Moholy Nagy. The similarities as well as the differences in the two approaches are suggestive of the potentialities of such a design methodology.
Architecture
Granulation
Layering
Light
Sound
-
https://centre-iannis-xenakis.org/files/original/f580f21884c093f83f5d0bd95e9c0112.mp4
3e5cf4280b32ecbcba2970aaf5bb205a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Supports vidéos
Description
An account of the resource
Images animées : documentaires vidéo, reportages, témoignages.
Identifier
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http://www.nakala.fr/collection/11280/c21b4e9f
Moving Image
Toutes images de type vidéos, animations, reportages.
Duration
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123 minutes 12 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Allography machine
Colloque International : De Xenakis à nos jours : Le Continuum et son développement en musique et en architecture
Creator
An entity primarily responsible for making the resource
Economou, Athanassios. Conférencier
European University of Cyprus
Contributor
An entity responsible for making contributions to the resource
Novak, Marcos. Modérateur
Kavallaris, Faidros. Intervenant
Sammoutis, Evis. Intervenant
Lieberman, David. Intervenant
Lanzilotti, Anne. Intervenant
Parthenios, Panagiotis. Intervenant
Vasquez Hadjilyra, Aswaldo Emiddio. Intervenant
Kanach, Sharon (1957-....). Intervenante
Hadjichristos, Christos. Intervenant
Chatzopoulou, Nicoleta. Intervenant
Kavallaris, Faidros. Intervenant
Subject
The topic of the resource
Congrès et conférences - Architecture -- 20e siècle
Congrès et conférences - Musicologie -- 20e siècle
Continu (philosophie)
Description
An account of the resource
Architectural and music computational models have profoundly affected the ways we describe, interpret and evaluate existing architectural and musical works as well as the ways we design new works in both domains. Two aspects of these computational models – representation and process (rules) are considered here to foreground similarities and differences between the two art worlds. A new computational model, the allography machine, is considered in the end as an rule-based visual tool for making graphical/spatial compositions in both domains.
Source
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Un fichier numérique uniquement
Date
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2016-06-14
Publisher
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Centre Iannis Xenakis
European University of Cyprus
University of Cyprus
Université de Rouen
École nationale supérieure d'architecture de Normandie (Darnétal, Seine-Maritime)
Rights
Information about rights held in and over the resource
<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Licence Creative Commons" /></a><br />Ce(tte) œuvre est mise à disposition selon les termes de la <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International</a>
Format
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Fichier vidéo numérique, .mp4
Language
A language of the resource
en
Type
The nature or genre of the resource
moving image
Identifier
An unambiguous reference to the resource within a given context
http://www.centre-iannis-xenakis.org/items/show/4111
Architecture
Computational models
Music
process
Representation