Congrès et conférences - Architecture -- 20e siècle]]> Congrès et conférences - Musicologie -- 20e siècle]]> Continu (philosophie)]]>
The theoretical background of my analysis is intertwined with the ideas of Ms. Livia Theodorescu-Ciocanea that are thoroughly presented at her paper titled as “Timber Versus Spectralism. Ms. Theodorescu-Ciocanea describes nine different compositional tendencies in Spectral Music: Spectralism as timbral metaphor, mimetic Spectralism, Spectralism as heterophony, Spectralism and modality, Spectralism as an archetypal approach, etc. Considering such tendencies as an important point of departure, I created a theoretical - empirical model of analysis for the better comprehension and interpretation of the sounding components and gestural interconnections in Romitelli’s music.

My model comprises three hierarchical levels. The first level, “Pitch context /Harmony”, deals with the identification of pitch complexes and/or harmonic fields, intervallic schemas and the interaction of the harmonic and inharmonic spectra of the piece. The second level, “Motion/Procedure or (Musical Operations)” illustrates the means that determine the “behavior” and the shaping – pacing, formation – of the sound. The combination of the aforementioned is interpreted, in level III, as “Musical gesture”. I consider this to describe the shaping and directionality that the “sound energy” takes, in the micro and macro structural levels on the piece. Consequently, the proposed analytical discourse highlights the subtle transition from the harmonic-inharmonic elements through the way that they are formulated and shaped, leading to their sonic depiction and/or gestural formation reaching finally their structural instantiation into the music. The ultimate goal is the internal analysis and understanding of the gestural forces, their imminent effect on the sound and structure resulting in the formation and realization of larger structural levels of the piece. Each level of my analytical model will contribute to the broaden clarification of all the sonic/gestural events highlighting the reasoning behind the sonic energy that formulates the global structural shape of the piece.
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Dimou, Stylianos. Conférencier]]> European University of Cyprus]]> Economou, Athanassios. Modérateur]]> Sammoutis, Evis. Intervenant]]> Licence Creative Commons
Ce(tte) œuvre est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International]]>
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