Centre Iannis Xenakis

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Architectural and music computational models have profoundly affected the ways we describe, interpret and evaluate existing architectural and musical works as well as the ways we design new works in both domains. Two aspects of these computational…

This paper looks at how sound, light and shadow performances could be achieved by the method of granulation and layering as demonstrated by the work of Iannis Xenakis and Laszlo Moholy Nagy. The similarities as well as the differences in the two…

In 1991, a stochastic music piece called Gendy3 was produced entirely by a computer program written by the composer Iannis Xenakis at CEMAMu. In his words, Xenakis asked "What is a composer? A thinker and plastic artist who expresses himself through…

The presentation brings together reflections on the continuum of Performance, Practice and the Academy that aims to address the wider interdisciplinary intentions of Iannis Xenakis. We reflect on the musical and spatial design synergies generated…

In his book «Revealing Architectural Design: Methods, Frameworks and Tools”, Philip Plowright explains that every knowledge coming from an external discipline needs to be translated in order to be used as a designs principle in other discipline.…

A personal journey exploring the interdisciplinary nature of inspiration.

If layering is an arrangement which allows not only the navigation within any one of the layers and the navigation through different layers but also the creation of new layers in the form of assemblages, the components of which are entities…
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